Alan G. Gless
Alan G. Gless, district court judge of the Fifth Judicial District of Nebraska, has published in Nebraska Law Review, Behavioral Science and Law, and the American Journal of Legal History.
In the aftermath of the Civil War, legislators in the Nebraska Territory grappled with the responsibility of forming a state government as well as with the larger issues of reconstructing the Union, protecting civil rights, and redefining federal-state relations. In the years that followed, Nebraskans coped with regional and national economic collapses. Nebraska women struggled for full recognition in the legal profession.
Citizenship, Belonging, and Political Community in Africa
Dialogues between Past and Present
Africa, it is often said, is suffering from a crisis of citizenship. At the heart of the contemporary debates this apparent crisis has provoked lie dynamic relations between the present and the past, between political theory and political practice, and between legal categories and lived experience.
When Grandma Gatewood Took a Hike
In 1955, sixty-seven-year-old Emma “Grandma” Gatewood became the first woman to solo hike the entire length of the Appalachian Trail in one through hike. Michelle Houts and Erica Magnus bring us the first children’s book about her feat and the unexpected challenges she encountered on the journey she initially called a “lark.”
Making the Mark
Gender, Identity, and Genital Cutting
Why do female genital cutting practices persist? How does circumcision affect the rights of girls in a culture where initiation forms the lynchpin of the ritual cycle at the core of defining gender, identity, and social and political status?
A Beginner’s Guide
This definitive, meticulously illustrated how-to book is far more expansive than previous guides. Pillsbury—a master of the form—shows us why crazy quilting belongs firmly in the category of fine art and serves as an inspiring primer for beginners.
Winold Reiss and the Cincinnati Union Terminal
Fanfare for the Common Man
After designing and installing the massive murals for the Cincinnati Union Terminal in the 1930s, German immigrant artist Winold Reiss fell into relative obscurity, despite the vibrancy and boldness of his meticulous mosaic works.