Ashby Bland Crowder
Ashby Bland Crowder is Peace Professor Emeritus of English, American Literature, and the Humanities at Hendrix College. He is the author of the prize-winning Wakeful Anguish: A Literary Biography of William Humphrey and editor of Far from Home: Selected Letters of William Humphrey. With Jason David Hall, he edited Seamus Heaney: Poet, Critic, Translator.
With Variant Readings and Annotations
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.
Athens and Jerusalem
For more than two thousand years, philosophers and theologians have wrestled with the irreconcilable opposition between Greek rationality (Athens) and biblical revelation (Jerusalem).
African Miracle, African Mirage
Transnational Politics and the Paradox of Modernization in Ivory Coast
Throughout the 1960s and 1970s, Ivory Coast was touted as an African miracle, a poster child for modernization and the ways that Western aid and multinational corporations would develop the continent.
A New History for a New Nation
Africa’s newest nation has a long history. Often considered remote and isolated from the rest of Africa, and usually associated with the violence of slavery and civil war, South Sudan has been an arena for a complex mixing of peoples, languages, and beliefs.
The Art of Life in South Africa
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station.
Women in the Shadows
Gender, Puppets, and the Power of Tradition in Bali
Wayang kulit, or shadow puppetry, connects a mythic past to the present through public ritual performance and is one of most important performance traditions in Bali. The dalang, or puppeteer, is revered in Balinese society as a teacher and spiritual leader.