Listed in: Fiction · Anaïs Nin · American Literature · Women’s Studies · Literary Studies · Literary Criticism, US
Although Under a Glass Bell is now considered one of Anaïs Nin’s finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler. Shortly thereafter, it caught the attention of literary critic Edmund Wilson, who reviewed the collection in the New Yorker.
“The pieces in this collection belong to a peculiar genre sometimes cultivated by the late Virginia Woolf. They are half short stories, half dreams, and they mix a sometimes exquisite poetry with a homely realistic observation. They take place in a special world, a world of feminine perception and fancy…. Miss Nin is a very good artist, as perhaps none of the literary Surrealists is.”
Edmund Wilson, The New Yorker