Joshua Mehigan was born in upstate New York in 1969. Since 1993 he has lived in New York City and worked as an editor and English teacher. Published in many journals, including the Chattahoochee Review, Dogwood, The Formalist, Pequod, Ploughshares, Poetry, The Sewanee Review, and Verse, his poems and translations are also forthcoming in anthologies from Word Press and Zoo Press. His poems have won the Dogwood Poetry Contest and been nominated for a Pushcart Prize.
In Joshua Mehigan’s award-winning poetry, one encounters a lucid, resolute vision driven by an amazing facility with the metrical line. Most of the poems in The Optimist unapologetically employ traditional poetic technique, and, in each of these, Mehigan stretches the fabric of living language over a framework of regular meter to produce a compelling sonic counterpoint.
With vision, hard-nosed judgment, and biting humor, Julius Nyerere confronted the challenges of nation building in modern Africa. Constructing Tanzania out of a controversial Cold War union between Tanganyika and Zanzibar, Nyerere emerged as one of independent Africa’s most influential leaders.
Waste of Timelessness and Other Early Stories
Written when Anaïs Nin was in her twenties and living in France, the stories collected in Waste of Timelessness contain many elements familiar to those who know her later work as well as revelatory, early clues to themes developed in those more mature stories and novels.
Madagascar and the Provisioning Trade, 1600–1800
Between 1600 and 1800, the promise of fresh food attracted more than seven hundred English, French, and Dutch vessels to Madagascar. Throughout this period, European ships spent months at sea in the Atlantic and Indian Oceans, but until now scholars have not fully examined how crews were fed during these long voyages.
The Unexpurgated Diary of Anaïs Nin, 1947–1955
Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented.
In this concise biography, ideally suited for the classroom, Adekeye Adebajo seeks to illuminate former South African president Thabo Mbeki’s contradictions and situate him in a pan-African pantheon.