Kate Flint

Listed in: Victorian Studies · Art History · Comics and Graphic Novel Culture · Literary Studies




Drawing on the Victorians · The Palimpsest of Victorian and Neo-Victorian Graphic Texts
Edited by Anna Maria Jones and Rebecca N. Mitchell · Afterword by Kate Flint

Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images—illustrated books, periodicals, cartoons, comics, and ephemera—to a mass readership. This Victorian visual turn prefigured the present-day impact of the Internet on how images are produced and shared, both driving and reflecting the visual culture of its time.

“Stunningly transnational … The editors take the notion of the palimpsest as their conceptual frame because it speaks to haunting of one text and/or image by another, a layering, they assert, that becomes particularly complex when linguistic, geographic, historical, and temporal boundaries are crossed.”

David L. Pike, American University