Lynda Schuster worked as a foreign correspondent for the Wall Street Journal and the Christian Science Monitor in Africa, Central and South America, and the Middle East. Her writing has appeared in Granta, Utne, and the Atlantic Monthly. She now lives in Gainesville, Florida.
A Burning Hunger shows the human catastrophe that plagued generations of black Africans in the powerful story of one religious and law-abiding Soweto family. Basing her narrative on extensive research and interviews, Lynda Schuster richly portrays this remarkable family and in so doing reveals black South Africa during a time of momentous change.
Citizenship, Belonging, and Political Community in Africa
Dialogues between Past and Present
Africa, it is often said, is suffering from a crisis of citizenship. At the heart of the contemporary debates this apparent crisis has provoked lie dynamic relations between the present and the past, between political theory and political practice, and between legal categories and lived experience.
When Grandma Gatewood Took a Hike
In 1955, sixty-seven-year-old Emma “Grandma” Gatewood became the first woman to solo hike the entire length of the Appalachian Trail in one through hike. Michelle Houts and Erica Magnus bring us the first children’s book about her feat and the unexpected challenges she encountered on the journey she initially called a “lark.”
Making the Mark
Gender, Identity, and Genital Cutting
Why do female genital cutting practices persist? How does circumcision affect the rights of girls in a culture where initiation forms the lynchpin of the ritual cycle at the core of defining gender, identity, and social and political status?
A Beginner’s Guide
This definitive, meticulously illustrated how-to book is far more expansive than previous guides. Pillsbury—a master of the form—shows us why crazy quilting belongs firmly in the category of fine art and serves as an inspiring primer for beginners.
Winold Reiss and the Cincinnati Union Terminal
Fanfare for the Common Man
After designing and installing the massive murals for the Cincinnati Union Terminal in the 1930s, German immigrant artist Winold Reiss fell into relative obscurity, despite the vibrancy and boldness of his meticulous mosaic works.