Roger Sedarat is an assistant professor in the MFA program at Queens College. He is the recipient of scholarships to the Bread Loaf Writers’ Conference as well as a St. Botolph Society poetry grant. His verse has appeared in such journals as New England Review, Atlanta Review, and Poet Lore.
As an Iranian American poet, Roger Sedarat fuses Western and Eastern traditions to reinvent the classical Persian form of the ghazal. For its humor as well as its spirituality, the poems in this collection can perhaps best be described as “Wallace Stevens meets Rumi.” Perhaps most striking is the poet’s use of the ancient ghazal form in the tradition of the classical masters like Hafez and Rumi to politically challenge the Islamic Republic of Iran’s continual crackdown on protesters.
In his provocative, brave, and sometimes brutal first book of poems, Roger Sedarat directly addresses the possibility of political change in a nation that some in America consider part of “the axis of evil.” Iranian on his father’s side, Sedarat explores the effects of the Islamic Revolution of 1979—including censorship, execution, and pending war—on the country as well as on his understanding of his own origins.
A penetrating, accessible portrait of the activist whose execution galvanized the world.
Nation on Board
Becoming Nigerian at Sea
Schler’s study of Nigerian seamen during Nigeria’s transition to independence provides a fresh perspective on the meaning of decolonization for ordinary Africans.
Culture and Money in the Nineteenth Century
Since the 1980s, scholars have made the case for examining nineteenth-century culture — particularly literary output — through the lens of economics.
Veteran Narratives and the Collective Memory of the Vietnam War
In the decades since the Vietnam War, veteran memoirs have influenced Americans’ understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation’s collective memory of the war and its aftermath.
Tales of the Metric System
Imraan Coovadia takes his homeland’s transition from imperial to metric measurements as his catalyst, holding South Africa up to the light and examining it from multiple perspectives, his sere, direct sentences lighting a fire as he parses South Africa across the decades, from 1970 into the present.