Thomas P. Somma was the director of the Mary Washington University Galleries at Mary Washington University in Fredericksburg, Virginia. He is the author of The Apotheosis of Democracy, 1908–1916: The Pediment for the House Wing of the United States Capitol.
Listed in: Architecture · Art · History · Art History · American History
In 1910 John Merven Carrère, a Paris-trained American architect, wrote, “Learning from Paris made Washington outstanding among American cities.” The five essays in Paris on the Potomac explore aspects of this influence on the artistic and architectural environment of Washington, D.C., which continued long after the well-known contributions of Peter Charles L’Enfant, the transplanted French military officer who designed the city’s plan.
“These essays are well researched, have ample footnotes, and are accompanied by many helpful black-and-white illustrations.”
Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals—an attempt to raise a particular version of the nation's founding to the level of myth. American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded.