The Complete Stories of Paul Laurence Dunbar — 2006

Edited by Thomas Lewis Morgan and Gene Andrew Jarrett

Foreword by Shelley Fisher Fishkin

“Dunbar’s short stories offered keen insight into American race relations as well as the problems African Americans faced in the nineteeth and early twentieth centuries.... He was more proactive and subtle about inserting his own political views than many critics, then and since, have given him credit for.”

The Complete Stories of Paul Laurence Dunbar

“Dunbar’s nuanced strategies are on ample display in this first comprehensive collection of his fiction...The stories in the volume are complicated, entertaining, offensive, and moving.”

Rain Taxi

“What we have been presented with here is a Herculean task of scholarship.”

Ohioana Quarterly

The son of former slaves, Paul Laurence Dunbar was one of the most prominent figures in American literature at the turn of the twentieth century. Thirty-three years old at the time of his death in 1906, he had published four novels, four collections of short stories, and fourteen books of poetry, as well as numerous songs, plays, and essays in newspapers and magazines around the world.

In the century following his death, Dunbar slipped into relative obscurity, remembered mainly for his dialect poetry or as a footnote to other more canonical figures of the period. The Complete Stories of Paul Laurence Dunbar showcases his gifts as a writer of short fiction and provides key insights into the tensions and themes of Dunbar's literary achievement. The 104 stories written by Dunbar between 1890 and 1905 reveal Dunbar's attempts to maintain his artistic integrity while struggling with America's racist stereotypes. Making them available for the first time in one convenient, comprehensive, and definitive volume, The Complete Stories of Paul Laurence Dunbar illustrates the complexity of his literary life and legacy.

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Thomas Lewis Morgan is a lecturer at the University of Tennessee, Knoxville. His research and teaching interests focus on critical race theory in late-nineteenth-century American and African American literature, specifically as it applies to the politics of narrative form.

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Gene Andrew Jarrett is an assistant professor of English at the University of Maryland, College Park. He is coeditor (with Henry Louis Gates Jr.) of a forthcoming anthology, New Negro Criticism: Essays on Race, Representation, and African American Culture.