In the last three decades, the dictatorship of Ferdinand Marcos has commanded the close scrutiny of scholars. These studies have focused on the political repression, human rights abuses, debt-driven growth model, and crony capitalism that defined Marcos’ so-called Democratic Revolution in the Philippines. But the relationship between the media and the regime’s public culture remains underexplored.
As a serial killer stalks prostitutes in Columbus, Ohio, a distraught brother asks private investigator Andy Hayes to find his sister before it’s too late. In a deadly race against time, Andy soon learns he’s not the only person hunting Jessica Byrnes, but he may be the only one who wants her alive. Byrnes hasn’t been seen in weeks following a downward slide that started as a runaway teenager and may have ended permanently on the streets. Assisting Andy is ex-prostitute Theresa Sullivan.
In this companion volume to the bestselling The Midwestern Native Garden: Native Alternatives to Nonnative Flowers and Plants, Charlotte Adelman and Bernard L. Schwartz offer another indispensible guide to replacing nonnative plants with native alternatives. This time, their subject is the native woody species that are the backbone of our gardens and landscapes.
In twentieth-century Kenya, age and gender were powerful cultural and political forces that animated household and generational relationships. They also shaped East Africans’ contact with and influence on emergent colonial and global ideas about age and masculinity. Kenyan men and boys came of age achieving their manhood through changing rites of passage and access to new outlets such as town life, crime, anticolonial violence, and nationalism.
At age twenty, Ada’s reputation as a faith healer defines her in her rural Pennsylvania community. But on the day in 1953 that her family’s barn is consumed by flame, her identity is upended: for the first time, she fears death and doubts God. Fire Is Your Water, acclaimed memoirist Jim Minick’s first novel, builds on magical realism and social observation to offer an insider’s glimpse into the culture of Appalachia.
When the alluring, eleventh-century Cambodian stone head of Radha, consort to Krishna, shows up at the Searles Museum, young curator Jenna Murphy doesn’t suspect that it will lead her to a murder. Asian art is her bailiwick, not criminal investigation, and her immediate concern is simply figuring out whether the head is one famously stolen from its body, or a fake.