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    <title>New Releases - Ohio University Press</title>
    <link>http://www.ohioswallow.com/</link>
    <language>en-us</language>
    <item>
      <title>Azores</title>
      <description>&lt;p&gt;&lt;strong&gt;Azores&lt;br/&gt;Poems&lt;/strong&gt;&lt;/p&gt;
				   &lt;p&gt;By David Yezzi&lt;br/&gt;&lt;/p&gt;&lt;p&gt;Like a voyage to the Portuguese islands of the title, the poems in &lt;em&gt;&lt;b&gt;Azores&lt;/b&gt;&lt;/em&gt; arrive at their striking and hard-won destinations over the often-treacherous waters of experience&#8212;a man mourns the fact that he cannot not mourn, a father warns his daughter about harsh contingency, an unnamed visitor violently disrupts a quiet domestic scene. The ever-present and uncomfortable realities of envy, lust, and mortality haunt the book from poem to poem. Yezzi does not shy away from frank assessments of desire and human failing, the persistent difficulties of which are relieved periodically by a cautious optimism and even joy. Whether the poem&#8217;s backdrop is volcanic islands in the Mid-Atlantic or Manhattan Island at sunset, Yezzi examines the forces of change in the natural world, as w hether mundane or startlingly intimate. By turns plainspoken, caustic, evocative, and wry, these poems are, in matters of form, well-wrought and musical and, in matters of the heart, clear-eyed and always richly human.

&lt;/p&gt;</description>
      <pubDate>Tue, 26 Feb %Y %H:00:00 %z</pubDate>
      <link>http://www.ohioswallow.com/book/Azores</link>
      <guid>9780804011129</guid>
    </item>
    <item>
      <title>The World beyond the Windshield</title>
      <description>&lt;p&gt;&lt;strong&gt;The World beyond the Windshield&lt;br/&gt;Roads and Landscapes in the United States and Europe&lt;/strong&gt;&lt;/p&gt;
				   &lt;p&gt;Edited by Christof Mauch and Thomas Zeller&lt;br/&gt;&lt;/p&gt;&lt;p&gt;For better or worse, the view through a car's windshield has redefined how we see the world around us. In some cases, such as the American parkway, the view from the road was the be-all and end-all of the highway; in others, such as the Italian autostrada, the view of a fast, efficient transportation machine celebrating either Fascism or its absence was the goal. These varied environments are neither necessary nor accidental but the outcomes of historical negotiations, and whether we abhor them or take delight in them, they have become part of the fabric of human existence. &lt;br/&gt;&lt;br/&gt;

&lt;em&gt;&lt;b&gt;The World beyond the Windshield: Roads and Landscapes in the United  States and Europe&lt;/b&gt;&lt;/em&gt; is the first systematic, comparative look at these landscapes.  By looking at examples from the United States and Europe, the chapters in this volume explore the relationship between the road and the landscape that
it traverses, cuts through, defines, despoils, and enhances. The authors analyze the Washington Beltway and the Blue Ridge Parkway, as well as iconic roads in Italy, Nazi Germany, East Germany, and Great Britain. This is a story of the transatlantic exchange of ideas about environment and technology and of the national and nationalistic appropriations of such landscaping.&lt;/p&gt;</description>
      <pubDate>Tue, 04 Mar %Y %H:00:00 %z</pubDate>
      <link>http://www.ohioswallow.com/book/The+World+beyond+the+Windshield</link>
      <guid>9780821417676</guid>
    </item>
    <item>
      <title>The Carnivalesque Defunto</title>
      <description>&lt;p&gt;&lt;strong&gt;The Carnivalesque Defunto&lt;br/&gt;Death and the Dead in Modern Brazilian Literature&lt;/strong&gt;&lt;/p&gt;
				   &lt;p&gt;By Robert H. Moser&lt;br/&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;b&gt;The Carnivalesque Defunto&lt;/b&gt;&lt;/em&gt; explores the representations of death and the
dead in Brazil&#8217;s collective and literary imagination. The recurring stereotype of Brazil as the land of samba, soccer, and sandy beaches overlooks a more complex cultural heritage in which, since colonial times, a relationship of proximity and reciprocity has been cultivated between the living and the dead.&lt;br/&gt;&lt;br/&gt;

Robert H. Moser details the emergence of a prominent motif in modern Brazilian literature, namely the carnivalesque &lt;em&gt;defunto&lt;/em&gt; (the dead) that, in the form of
a protagonist or narrator, returns to beseech, instruct, chastise, or even seduce the living. Drawing upon the works of esteemed Brazilian writers such as Machado de Assis, &#201;rico Ver&#237;ssimo, and Jorge Amado, Moser demonstrates how the &lt;em&gt;defunto&lt;/em&gt;, through its mocking laughter and Dionysian resurrection, simultaneously
subverts and inverts the status quo, thereby exposing underlying points of tension within Brazilian social and political history.&lt;br/&gt;&lt;br/&gt;

Incorporating elements of both a celestial advocate and an untrustworthy specter, the &lt;em&gt;defunto&lt;/em&gt; also serves as a metaphor for one of modern Brazil&#8217;s greatest dilemmas: reconciling the past with the present.&lt;br/&gt;&lt;br/&gt;

&lt;em&gt;&lt;b&gt;The Carnivalesque Defunto&lt;/b&gt;&lt;/em&gt; offers a comparative framework by juxtaposing the Brazilian literary ghost with other Latin American, Caribbean, and North American examples. It also presents a cross-disciplinary approach toward understanding the complex relationship forged between Brazil&#8217;s spiritual traditions and literary expressions.&lt;/p&gt;</description>
      <pubDate>Tue, 01 Apr %Y %H:00:00 %z</pubDate>
      <link>http://www.ohioswallow.com/book/The+Carnivalesque+Defunto</link>
      <guid>9780896802582</guid>
    </item>
    <item>
      <title>Our First Family&#8217;s Home</title>
      <description>&lt;p&gt;&lt;strong&gt;Our First Family&#8217;s Home&lt;br/&gt;The Ohio Governor's Residence and Heritage Garden&lt;/strong&gt;&lt;/p&gt;
				   &lt;p&gt;Edited by Mary Alice Mairose&lt;br/&gt;&lt;/p&gt;&lt;p&gt;This richly illustrated volume tells the story of the
home that has served as Ohio&#8217;s executive residence since
1957, and of the nine governors and their families who
have lived in the house. &lt;em&gt;&lt;b&gt;Our First Family&#8217;s Home&lt;/b&gt;&lt;/em&gt; offers the first complete history of the residence and garden that represent Ohio to
visiting dignitaries and the citizens of the state alike. Once in a state
of decline, the house has been lovingly restored and improved by its
residents. Development of the Ohio Heritage Garden has increased
the educational potential of the house and has sparked an interest in the
preservation of native plant species. Looking toward the future, the Residence
is also taking the lead in promoting environmental issues such as solar power
and green energy. &lt;br/&gt;&lt;br/&gt;
Photographs by award-winning environmental photographer Ian Adams and
botanical art by Dianne McElwain showcase the beauty of the home&#8217;s architecture
and the myriad of native plants that grace the three acres on which the
Residence stands. Dianne McElwain is a member of the American Society of Botanical Artists in New York. Her botanical paintings have won numerous awards and are found in prestigious collections throughout the United States. &lt;br/&gt;&lt;br/&gt;Essays highlight the Jacobethan Revival architecture and
the history of the home. The remaining pieces cover the garden and include
an intimate tour of the Heritage Garden, which was inspired by Ohio&#8217;s diverse
landscape. Finally, Governor Ted Strickland and First Lady Frances Strick&#173;land discuss the increasing focus on green energy at the Governor&#8217;s Residence and First Lady Emerita Hope Taft explains how native plants can help sustain the environment.&lt;/p&gt;</description>
      <pubDate>Tue, 01 Apr %Y %H:00:00 %z</pubDate>
      <link>http://www.ohioswallow.com/book/Our+First+Family%E2%80%99s+Home</link>
      <guid>9780821417904</guid>
    </item>
    <item>
      <title>Hanging by a Thread</title>
      <description>&lt;p&gt;&lt;strong&gt;Hanging by a Thread&lt;br/&gt;Cotton, Globalization, and Poverty in Africa&lt;/strong&gt;&lt;/p&gt;
				   &lt;p&gt;Edited by Leslie C. Gray and William G. Moseley&lt;br/&gt;&lt;/p&gt;&lt;p&gt;The textile industry was one of the first manufacturing activities to become organized globally, as mechanized production in Europe used cotton from the various colonies. Africa, the least developed of the world&#8217;s major regions, is now increasingly engaged in the production of this crop for the global market, and debates about the pros and cons of this trend have intensified.&lt;br/&gt;&lt;br/&gt;

&lt;em&gt;&lt;b&gt;Hanging by a Thread: Cotton, Globalization, and Poverty in Africa&lt;/b&gt;&lt;/em&gt; illuminates the connections between Africa and the global economy. The editors offer a compelling set of linked studies that detail one aspect of the globalization process in Africa, the cotton commodity chain.&lt;br/&gt;&lt;br/&gt;

From global policy debates, to impacts on the natural environment, to the economic and social implications of this process, &lt;em&gt;&lt;b&gt;Hanging by a Thread&lt;/b&gt;&lt;/em&gt; explores cotton production in the postcolonial period from different disciplinary perspectives and in a range of national contexts. This approach makes the globalization process palpable by detailing how changes at the macroeconomic level play out on the ground in the world&#8217;s poorest region. &lt;em&gt;&lt;b&gt;Hanging by a Thread&lt;/b&gt;&lt;/em&gt; offers new insights on the region in a global context and provides a critical perspective on current and future development policy for Africa.
&lt;/p&gt;</description>
      <pubDate>Tue, 01 Apr %Y %H:00:00 %z</pubDate>
      <link>http://www.ohioswallow.com/book/Hanging+by+a+Thread</link>
      <guid>9780896802605</guid>
    </item>
    <item>
      <title>Praising It New</title>
      <description>&lt;p&gt;&lt;strong&gt;Praising It New&lt;br/&gt;The Best of the New Criticism&lt;/strong&gt;&lt;/p&gt;
				   &lt;p&gt;Edited by Garrick Davis&lt;br/&gt;&lt;/p&gt;&lt;p&gt;Marked by a rigorously close textual reading, detached from
biographical or other extratextual material, New Criticism was the
dominant literary theory of the mid-twentieth century. Since that
time, schools of literary criticism have arisen in support of or in opposition to
the approach advocated by the New Critics. Nonetheless, the theory remains
one of the most important sources for groundbreaking criticism and continues
to be a controversial approach to reading literature. &lt;br/&gt;&lt;br/&gt;
&lt;em&gt;&lt;b&gt;Praising It New&lt;/b&gt;&lt;/em&gt; is the first anthology of New Criticism to be printed in fifty years. It includes important essays by such influential poets and critics as T. S. Eliot, Ezra Pound, John Crowe Ransom, Allen Tate, Yvor Winters,
Cleanth Brooks, R. P. Blackmur, W. K. Wimsatt, and Robert Penn Warren.
Together, these authors ushered in the modernist age of poetry and criticism
and transformed the teaching of literature in the schools. As the American
poet and critic Randall Jarrell once noted: &#8220;I do not believe there has been another
age in which so much extraordinarily good criticism of poetry has
been written.&#8221; &lt;br/&gt;&lt;br/&gt;
This anthology now makes much of the best American poetry criticism available
again, and includes short biographies and selected bibliographies of its
chief figures. &lt;em&gt;&lt;b&gt;Praising It New&lt;/b&gt;&lt;/em&gt; is the perfect introduction for students to the best American poetry criticism of the twentieth century.&lt;/p&gt;</description>
      <pubDate>Tue, 15 Apr %Y %H:00:00 %z</pubDate>
      <link>http://www.ohioswallow.com/book/Praising+It+New</link>
      <guid>9780804011082</guid>
    </item>
    <item>
      <title>Madness in Buenos Aires</title>
      <description>&lt;p&gt;&lt;strong&gt;Madness in Buenos Aires&lt;br/&gt;Patients, Psychiatrists and the Argentine State, 1880&#8211;1983&lt;/strong&gt;&lt;/p&gt;
				   &lt;p&gt;By Jonathan Ablard&lt;br/&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;b&gt;Madness in Buenos Aires&lt;/b&gt;&lt;/em&gt; examines the interactions between psychiatrists, patients and their families, and the national state in modern Argentina. This book offers a fresh interpretation of the Argentine state&#8217;s relationship to modernity and social change during the twentieth century, while also examining the often contentious place of psychiatry in modern Argentina.&lt;br/&gt;&lt;br/&gt;

Drawing on a number of previously untapped archival sources, author Jonathan Ablard uses the experience of psychiatric patients as a case study of how the Argentine state developed and functioned over the last century and of how Argentines interacted with it. Ablard argues that the capacity of the state to provide social services and professional opportunities and to control the populace was often constrained to an extent not previously recognized in scholarly literature.  These limitations, including a shortage of hospitals, insufficient budgets, and political and economic instability, shaped the experiences of patients, their families, and doctors and also influenced medical and lay ideas about the nature and significance of mental illness. Furthermore, these experiences, and the institutional framework in which they were imbedded, had a profound impact on how Argentine psychiatrists discussed not only mental illness but also a host of related themes including immigration, poverty, and the role of the state in mitigating social problems.
&lt;/p&gt;</description>
      <pubDate>Tue, 15 Apr %Y %H:00:00 %z</pubDate>
      <link>http://www.ohioswallow.com/book/Madness+in+Buenos+Aires</link>
      <guid>9780896802599</guid>
    </item>
    <item>
      <title>Bead International 2008 &amp; Beyond Basketry</title>
      <description>&lt;p&gt;&lt;strong&gt;Bead International 2008 &amp; Beyond Basketry&lt;/strong&gt;&lt;/p&gt;
				   &lt;p&gt;Edited by Andrea R. Lewis&lt;br/&gt;&lt;/p&gt;&lt;p&gt;This unique book combines two catalogs in one. &lt;em&gt;&lt;b&gt;Bead International 2008 &amp; Beyond Basketry&lt;/b&gt;&lt;/em&gt; represents the best of two juried exhibitions held at the Dairy Barn Arts Center in Athens, Ohio.&lt;br/&gt;&lt;br/&gt;

Beads have long been worn as jewelry, but in Bead International 2008 contemporary bead artists are shaking things up. From fine jewelry 
to loom weaving to sculpture, the sixty-eight pieces by fifty-one artists in this collection represent some of the most innovative and well-executed art in the modern beading world. Considering any pierced object to be a bead, pieces range in style from the traditional to the whimsical as they incorporate a variety of colors and materials. This vibrant collection will spark the reader&#8217;s creativity and broaden his 
or her perspective.&lt;br/&gt;&lt;br/&gt;

When the age-old art form of basketry is combined with contemporary visions and techniques, the result is the striking Beyond Basketry, a collection of sixty-five artworks created by forty-two artists from across the United States. The artworks represented in these beautiful color photographs will challenge the reader&#8217;s ideas of what constitutes a basket. All artworks are vessels made of woven materials, but the pieces explore a variety of sizes, colors, shapes, and techniques.

&lt;/p&gt;</description>
      <pubDate>Wed, 30 Apr %Y %H:00:00 %z</pubDate>
      <link>http://www.ohioswallow.com/book/Bead+International+2008+%26+Beyond+Basketry</link>
      <guid>9780821418123</guid>
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