Developed by the Ohio Bicentennial Commission's Advisory Council on Women, this collection profiles a few of the many women who have left their imprint on the state, nation, world, and even outer space.
In Victorian England, virtually all women were taught to sew; needlework was allied with images of domestic economy and with traditional female roles of wife and mother- with home rather than factory. The professional seamstress, however, labored long hours for very small wages creating gowns for the upper and middle classes.
A century after the South African War (1899-1902), historians are beginning to reevaluate the accepted wisdom regarding the scope of the war, its participants, and its impact. Writing a Wider War charts some of the changing historical constructions of the memorialization of suffering during the war.
One of the most intriguing cultural artifacts of our nation's past was made by young girls—the embroidery sampler. In Ohio Is My Dwelling Place, American decorative arts expert Sue Studebaker documents the samplers created in Ohio prior to 1850, the girls who made them, their families, and the teachers who taught them to stitch.
Powerful currents of religious revival and political and social reform swept nineteenth-century America. Many people expressed their radical religious and social ideals by creating or joining self-contained utopian communities. These utopianists challenged the existing social and economic order with alternative notions about religion, marriage, family, sexuality, property ownership, and wage labor. Between 1787 and 1919, approximately 270 utopian communities existed in the United States.
This study offers a “social interpretation of environmental process” for the coastal lowlands of southeastern Ghana. The Anlo-Ewe, sometimes hailed as the quintessential sea fishermen of the West African coast, are a previously non-maritime people who developed a maritime tradition. As a fishing community the Anlo have a strong attachment to their land. In the twentieth century coastal erosion has brought about a collapse of the balance between nature and culture.
Our Lady of Victorian Feminism is about three nineteenth-century women, Protestants by background and feminists by conviction, who are curiously and crucially linked by their extensive use of the Madonna in arguments designed to empower women. In the field of Victorian studies, few scholars have looked beyond the customary identification of the Christian Madonna with the Victorian feminine ideal—the domestic Madonna or the Angel in the House.
Throughout the first half of the nineteenth century, America was captivated by a muddled notion of “etymology.” New England Transcendentalism was only one outcropping of a nationwide movement in which schoolmasters across small-town America taught students the roots of words in ways that dramatized religious issues and sparked wordplay. Shaped by this ferment, our major romantic authors shared the sensibility that Friedrich Schlegel linked to punning and christened “romantic irony.”
If Horatio Alger had imagined a female heroine in the same mold as one of the young male heroes in his rags-to-riches stories, she would have looked like Belinda Mulrooney. Smart, ambitious, competitive, and courageous, Belinda Mulrooney was destined through her legendary pioneering in the wilds of the Yukon basin to found towns and many businesses. She built two fortunes, supported her family, was an ally to other working women, and triumphed in what was considered a man's world.
The Culture of Christina Rossetti explores a “new” Christina Rossetti as she emerges from the scrutiny of the particular historical and cultural context in which she lived and wrote. The essays in this collection demonstrate how the recluse, saint, and renunciatory spinster of former studies was in fact an active participant in her society's attempt to grapple with new developments in aesthetics, theology, science, economics, and politics.
Three men and three women: a plant collector, a merchant and his novelist wife, a military officer, and two famous women travelers went to China between the Opium War and the formal end of the opium trade, 1842-1907. Their range of perspectives, their acquaintance with one another and their similar scope of travel to Hong Kong, the treaty ports, and Sichuan lend intensity to their picture of China and the Western presence there.
Petrus Johannes Van der Merwe wrote three of the most significant books on the history of South Africa before he was 35 years old. His trilogy, of which The Migrant Farmer is the first volume, has become a classic that no student of Cape colonial history of the seventeenth, eighteenth or nineteenth century can ignore.
Log construction entered the Ohio territory with the seventeenth-century fur traders and mid-eighteenth-century squatters and then spread throughout most of the area after the opening of the territory in the 1780s. Scottish-Irish and German settlers, using techniques from the eastern states and European homelands, found the abundant timber resources of the Ohio country ideally suited to this simple, durable form of construction.
“I here and there o’heard a Coxcomb cry, Ah, rot—’tis a Woman’s Comedy.” Thus Aphra Behn ushers in a new era for women in the British Theatre (Sir Patient Fancy, 1678). In the hundred years that were to follow—and exactly those years that Curtain Calls examines—women truly took the theater world by storm.
George Kennan’s career as a specialist on Russian affairs began in 1865, with his first journey to the Russian empire. A twenty-year-old telegraphic engineer at the time, he was a member of the Russian-American Telegraph Expedition, a now virtually unknown but nevertheless remarkable nineteenth-century adventure story.
American Civil War
American History, 20th Century
American History, Early Republic
American History, Midwest
American History, Revolutionary Period
American History, West
British History - Victorian Era
History of the Arabian Peninsula
Latin American History
Native American History
Southeast Asian History
World War I
World War II