“Mysticism is peculiar to the mountainbred,” Frank Waters once told an interviewer for Psychology Today. And in Mountain Dialogues, available for the first time in paperback, the mountainbred Waters proves it true. Ranging over such diverse subjects as silence, spirits, time, change, and the sacred mountains of the world, Waters sounds again and again the radiant, mystic theme of man’s inherent wholeness and his oneness with the cosmos.
In 1906 a young, semiliterate Greek arrived in America with a fewdollars in his pocket and his people's legacy of proverbs, superstitions, and cultural traits to guide him through the dangers and opportunities of a new world. The Time of the Little Black Bird begins with the story of this young man and his plan to build a future for his family as it makes its way in America.
The conquest, colonization, independence, the liberal reforms, the regimes, revolution, and dictatorships, the insurrections and ongoing peace dialogues all are combined in a narrative projecting the most important forces in Guatemalan history from the Mayan period to our own times.
In this, his tenth book of essays, renowned raconteur Sam Pickering wanders from Nova Scotia to Tennessee, from a middle school athletic field to an English department. He tells stories about people named Googoo and Loppie. He examines trees and flowers. He watches a daughter play soccer and a son row. He attends funerals and remembers the past and imagines the future. His is the ordinary world observed closely. But reading Pickering makes life blossom.
Turner Cassity is like a highly accomplished traditional composer—Camille Saint-Saëns, say, or Richard Strauss—who does not doubt that the music is the score and the score is the music. That is, poetry is verse and verse is poetry. Given that confidence, he is prepared to take on any subject. In the forty years he has been publishing, Mr. Cassity has never once written about nothing.
Four essential questions: Why does one fish? How should one properly fish? What relations are created in fishing? And what effects does fishing have on the future? Haunted by Waters is a self-examination by the author as he constructs his own narrative and tries to answer these questions for himself. But it is also a thorough examination of the answers he uncovers in the course of reading what's been written on the subject.
In the spring of 1916, as the workers for woman suffrage were laying plans for another attack on the bastions of male supremacy, the idea for The Sturdy Oak was born. Based on the rules of an old parlor game, wherein one person begins a narrative, another continues it, and another follows, this collaborative effort by the leading writers of the day, such as Fannie Hurst, Dorothy Canfield, and Kathleen Norris, is a satiric look at the gender roles of the time.
America’s Sketchbook recaptures the drama of nineteenth-century American cultural life, placing at its center a genre—the literary sketch—more available than the novel, less governable by the critical establishment, and shot through with the tensions and types of local and national culture-making.
The poetry of John Matthias has long been admired by other poets for the way it refuses to be categorized. Lyrical and experimental, cosmopolitan and rooted in place, it challenges our received notions of what poetry can be at the end of the twentieth century. This volume introduces the work of this significant American poet to readers previously unfamiliar with it and enriches the reading of those who have long admired it.
In the winter of 1951-52, Anaïs Nin was a writer in despair. More than a dozen publishing houses had rejected her new novel, A Spy in the House of Love, and Nin became desperate for literary acceptance. Encouragement came from an unexpected source. Felix Pollak, an Austrian emigré and Rare Book Librarian at Northwestern University, had been entrusted with the task of acquiring some of Nin's manuscripts for the library.
Written over a career that spans five decades, And Still Birds Sing is the masterwork of a major voice in American poetry.
Just as mass-market magazines and cheap books have played important roles in the creation of an American identity, those skilled craftsmen (and women) whose careers are the subjects of Ronald Weber's narrative profoundly influenced the outlook and strategies of the high-culture writers who are generally the focus of literary studies.
The Wound and the Bow collects seven wonderful essays on the delicate theme of the relation between art and suffering by the legendary literary and social critic, Edmund Wilson (1885–1972). This welcome re-issue—one of several for this title—testifies to the value publishers put on it and to a reluctance among them ever to let it stay out of print for very long.
Unlike other young women of her generation, who were “bred up from childhood to sit behind tea-tables and say the right things to tea-drinkers,” Sylvia Marshall—the “twig” of this novel—was reared to think for herself and to trust her own instincts and experience. This, coupled with her passionate temperament, makes Sylvia a compelling figure as she resists efforts to mold her with every rebellious fiber of her independent nature.
When James Lane Allen defined the “Feminine Principle” and the “Masculine Principle” in American fiction for the Atlantic Monthly in 1897, he in effect described local color fiction and naturalism, two branches of realism often regarded as bearing little relationship to each other.