“I here and there o’heard a Coxcomb cry, Ah, rot—’tis a Woman’s Comedy.” Thus Aphra Behn ushers in a new era for women in the British Theatre (Sir Patient Fancy, 1678). In the hundred years that were to follow—and exactly those years that Curtain Calls examines—women truly took the theater world by storm.
Novelist and critic Alexander Blackburn credits Waters’s novels such as The Man Who Killed the Deer, Pike’s Peak, People of the Valley, and The Woman at Otowi Crossing with creating a worldview that transcends modern materialism and rationalism. Central to Waters’s vision, he suggests, is the individual in whom are concentrated the creative powers of the universe.
A Gathering of Ways is John Matthias’ first collection of poems since the publication of his warmly received Northern Summer collection in 1985.
While William Dean Howells is today best remembered as Mark Twain’s staunchest defender, Howells was, at his peak, the unrivaled man of letters in America: he had no contemporary equal. The achievements of both Twain and Henry James have since surpassed those of Howells in the literary hierarchy, but the work of Howells still remains an important part of American letters.
This collection of stories is, like Petesch’s previous work, distinguished by its brilliant lyrical intensity and by characters who are stunningly alive. It is a powerful collection about impassioned cultural conflicts in present-day Spain and Mexico; it is also a book about ourselves—how we have failed to love the Earth and have squandered our resources. In the title story, it is Justina Olivia who breaks the moral law of her village in an unforgettable love story.
Although Alan Swallow's work on behalf of other poets has tended to overshadow his work as a poet, the reputation of his poems has been upon the ascendancy. This volume, a “selected” one, runs the gamut of Swallow's themes. John Holmes reviewed in The New York Times, speaking of “love and compassion warming the face of the carving.” The volume was published in a beautiful limited edition by Carroll Coleman's The Prairie Press.
In the course of a career that spanned five decades, Edmund Wilson’s literary output was impressive. His life’s work includes five volumes of poetry, two works of fiction, thirteen plays, and more than twenty volumes of social commentary on travel, politics, history, religion, anthropology, and economics. It is, however, his criticism for which Wilson is best known. To note a few of his accomplishments as a critic, Wilson furthered the understanding and appreciation of the poetry of W.B.
The first of this new collection’s three parts ranges very widely, from poems of childhood-his own, his children’s, and his grandchild’s-to poems of keen social and political awareness, and on to pieces about his neighbors, about growing more firmly and deeply into a personal place.
Ordinary, everday, homely. These are words that come to mind to describe the dimension Hollis Summers’ poems live in. But they are inadequate words, and his are deceptively simple poems. They speak little, and quietly, but they record, in the silences they create, a desperate, melancholy magic about the surfaces and trivial events of our days. So we are led to discover, and assent, to all these tonal perceptions as the true domestic furniture of our inner lives.
Although some critics have identified two phases in the poetry of James Wright and have isolated particulars of his movement from traditional to more experimental forms, few have noted also the elements of constancy in the evolution of his poetry.
During the fabulous reign of Colorado Silver, innumerable prospectors passed by Pike’s Peak on their way to the silver strikes at Leadville, Aspen, and the boom camps in the Saguache, Sangre de Cristo, and San Juan mountain. Then, in 1890, a carpenter named Winfield Scott Stratton discovered gold along Cripple Creek. By 1900, this six square mile area on the south slope of Pike’s Peak supported 475 mines and led the world in gold production.
Based on the real life of Edith Warner, who ran a tearoom at Otowi Crossing, just below Los Alamos, The Woman at Otowi Crossing is the story of Helen Chalmer, a person in tune with her adopted environment and her neighbors in the nearby Indian pueblo and also a friend of the first atomic scientists. The secret evolution of atomic research is a counterpoint to her psychic development.
Frank Waters, whose work has spanned half a century, has continually attempted to depict the reconciliation of opposites, to heal the national wounds of polarization. Flight From Fiesta, Waters’ first novel in nearly two decades, is testimony to that aspiration, emerging as a moving and masterfully–told story of two characters who must discover the potential for common ground between their personalities.
This second volume of James Schevill's collected poems is a companion to his remarkable ongoing sequence of poems, The American Fantasies, published by Swallow in 1983. This collection extends the scope of the poet's concern with American power and influences to Mexico, Central America, and the Caribbean. In these poems, Schevill reveals again the range of his lyrical and dramatic powers. As M.I.
A mile down the road from the Los Alamos Scientific Laboratory, a woman unearths an ancient shard of pottery bearing the thousands-year-old thumbprint of a Navawi'i woman. A marriage is thrown into crisis by the husband's discovery, on a fishing trip, of a girl’s corpse. To impress the prostitute he wants to marry, a man constructs a homemade atomic bomb.