A remarkable presentation of hand-carved furnishings and woodwork from late-nineteenth-century Cincinnati that reflect the city’s response to the Aesthetic movement.
A tribute to a woman artist who rose to one of the highest positions in her field.
On May 10, 2003, the Cincinnati Art Museum will celebrate the opening of the Cincinnati Wing: eighteen thousand square feet of handsomely renovated gallery space devoted to the museum’s renowned collections of painting, sculpture, furniture, ceramics, and metalwork by Cincinnati artists. The museum is the first in the country to reinterpret its American art collections with a regional emphasis, fostering civic pride and drawing attention to the achievements of the city’s artists.
One of the most intriguing cultural artifacts of our nation's past was made by young girls—the embroidery sampler. In Ohio Is My Dwelling Place, American decorative arts expert Sue Studebaker documents the samplers created in Ohio prior to 1850, the girls who made them, their families, and the teachers who taught them to stitch.
Coverlets woven in vibrant colors of red, blue, white, and green are as popular today as they were in the nineteenth century. American Coverlets and Their Weavers is a lavishly illustrated guide to one of the premier collections of coverlets in the nation. As such, it is also an essential reference for collectors, historians, specialists in material culture, and others who are interested in American textiles.
Rookwood Pottery of Cincinnati—the largest, longest-lasting, and arguably most important American Art Pottery—reflected the country's cultural and commercial milieux in the production, marketing, and consumption of its own products.
“The covetous foraging for old and rare books,” is how Matthews defines “booking.” It is an act which leads naturally to the pleasures of adding them to one's personal library, then reading them as instruments of light and measure in a murky and chaotic world.