Framing Shakespeare on Film · How the Frame Reveals Meaning · By Kathy M. Howlett

The aesthetics of frame theory form the basis of Framing Shakespeare on Film. This groundbreaking work expands on the discussion of film constructivists in its claim that the spectacle of Shakespeare on film is a problem-solving activity. Kathy Howlett demonstrates convincingly how viewers' expectations for understanding Shakespeare on film can be manipulated by the director's cinematic technique.

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Shakespeare Observed · Studies in Performance on Stage and Screen · By Samuel Crowl

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays.

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The Complete Works of Robert Browning, Volume X · With Variant Readings and Annotations · By Robert Browning · Edited by Allan C. and Susan E. Dooley

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

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Virginia Woolf · Reading the Renaissance · Edited by Sally Greene

The story of “Shakespeare’s sister” that Virginia Woolf tells in A Room of One’s Own has sparked interest in the question of the place of the woman writer in the Renaissance. By now, the process of recovering lost voices of early modern women is well under way. But Woolf’s engagement with the Renaissance went deeper than that question indicates, as important as it was.

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Victorian Travelers and the Opening of China 1842-1907 · By Susan Shoenbauer Thurin

Three men and three women: a plant collector, a merchant and his novelist wife, a military officer, and two famous women travelers went to China between the Opium War and the formal end of the opium trade, 1842-1907. Their range of perspectives, their acquaintance with one another and their similar scope of travel to Hong Kong, the treaty ports, and Sichuan lend intensity to their picture of China and the Western presence there.

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With Gissing in Italy · The Memoirs of Brian Ború Dunne · Edited by Paul F. Mattheisen, Arthur C. Young, and Pierre Coustillas

A candid portrait of one of England's most celebrated authors In 1897, at age nineteen, American Brian Ború Dunne was an aspiring journalist, who chanced to meet the Englishman George Gissing at the height of his career as a novelist. He was somewhat awed, but not unduly intimidated, by the renowned writer, and his vigorous personality drew Gissing into many frank and unguarded conversations.

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The Complete Works of Robert Browning, Volume XVI · With Variant Readings and Annotations · By Robert Browning · Edited by Susan Crowl and Roma A. King Jr.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Robert Browning wrote Parleyings with Certain People of Importance in Their Day in his seventy-third year.

Cover of 'The  Complete Works of Robert Browning, Volume XVI'


The Culture of Christina Rossetti · Female Poetics and Victorian Contexts · Edited by Mary Arseneau, Antony H. Harrison, and Lorraine Janzen Kooistra

The Culture of Christina Rossetti explores a “new” Christina Rossetti as she emerges from the scrutiny of the particular historical and cultural context in which she lived and wrote. The essays in this collection demonstrate how the recluse, saint, and renunciatory spinster of former studies was in fact an active participant in her society's attempt to grapple with new developments in aesthetics, theology, science, economics, and politics.

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Ruskin’s Mythic Queen · Gender Subversion in Victorian Culture · By Sharon Aronofsky Weltman

John Ruskin's prominence as the author of “Of Queen's Gardens,” his principal statement of Victorian gender opposition, makes him an ideal example for analyzing the power of mythic discourse to undermine gender division. Here, Ruskin creates a vision of feminine authority that draws simultaneously upon several sources (including the goddess Athena and Queen Victoria herself) to empower women in a worldwide arena redefined as a broader version of their domestic realm.

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Shakespeare in Production · Whose History? · By H. R. Coursen

Shakespeare in Production examines a number of plays in context. Included are the 1936 Romeo and Juliet, unpopular with critics of filmed Shakespeare, but very much a “photoplay” if its time; the opening sequences of filmed Hamlets which span more than seventy years; The Comedy of Errors on television, where production of this script is almost impossible; and the Branagh Much Ado About Nothing, a “popular” film discussed in the context of comedy as a genre.

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Dared & Done · The Marriage of Elizabeth Barrett and Robert Browning · By Julia Markus

Based extensively on their writings and letters to each other, this chronicle of Elizabeth Barrett's and Robert Browning's life together stands in bold relief against the backdrop of their Victorian world. Their passionate partnership overcame any number of obstacles — Elizabeth's role in her father's family; her illness; her Creole background; Robert's tentative career — to culminate in a marriage of mutual devotion.

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Detection and Its Designs · Narrative and Power in Nineteenth-Century Detective Fiction · By Peter Thoms

Detective fiction is usually thought of as genre fiction, a vast group of works bound together by their use of a common formula. But, as Peter Thoms argues in his investigation of some of the most important texts in the development of detective fiction in the nineteenth century, the very works that establish the genre's formulaic structure also subvert that structure.

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Annotated Bibliography of Jane Austen Studies, 1984-94 · By Barry Roth

This, Professor Roth’s third annotated bibliography of studies on Jane Austen, covers the years 1984–1994. Like the critically acclaimed earlier volumes, it charts the steady growth and enrichment of literary criticism of Austen in the second half of the twentieth century. The first bibliography, which covered the period 1952–1972, contained 794 items; the second, which treated 1973–1983, included over 1,060 pieces; this third work has 1,327 entries.

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The Collected Letters of George Gissing Volume 9 · 1902–1903 · By George Gissing · Edited by Paul F. Mattheisen, Arthur C. Young, and Pierre Coustillas

This ninth volume concludes the widely-acclaimed edition of The Collected Letters of George Gissing, which not only renders obsolete all other collections and selections of his letters, but also contains a considerable quantity of hitherto unpublished or inaccessible materials.

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The Collected Letters of George Gissing Volume 8 · 1900–1902 · By George Gissing · Edited by Paul F. Mattheisen, Arthur C. Young, and Pierre Coustillas

For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927. In the following years a good number were published separately in such places as journals, memoirs, and sales catalogues, but like the single and small groups of unpublished letters scattered in libraries around the world, they remained in practical terms inaccessible.

Cover of 'The  Collected Letters of George Gissing Volume 8'