“Some voyages have their inception in the blueprint of a dream, some in the urgency of contradicting a dream. Lillian’s recurrent dream of a ship that could not reach the water, that sailed laboriously, pushed by her with great effort, through city streets, had determined her course toward the sea, as if she would give this ship, once and for all, its proper sea bed…. With her first swallow of air she inhaled a drug of forgetfulness well known to adventurers.”
The reincarnation of a legendary nineteenth-century Caribbean emperor as a contemporary African leader is at the heart of this novel. Sacred River deals with the extraordinary lives, hopes, powerful myths, stories, and tragedies of the people of a modern West African nation. It is also the compelling love story of an idealistic philosophy professor and an ex-courtesan of incomparable beauty.
Although Under a Glass Bell is now considered one of Anaïs Nin’s finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler. Shortly thereafter, it caught the attention of literary critic Edmund Wilson, who reviewed the collection in the New Yorker.
Every city has an unspoken side. Cape Town, between the picture postcard mountain and sea, has its own shadow: a place of dislocation and uncertainty, dependence and desperation, destruction and survival, gangsters, pimps, pedophiles, hunger, hope, and moments of happiness.
Ufrieda Ho’s compelling memoir describes with intimate detail what it was like to come of age in the marginalized Chinese community of Johannesburg during the apartheid era of the 1970s and 1980s. The Chinese were mostly ignored, as Ho describes it, relegated to certain neighborhoods and certain jobs, living in a kind of gray zone between the blacks and the whites. As long as they adhered to these rules, they were left alone.
Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature.
It’s 2047 in Dayton, Ohio. In response to food and water shortages, the U.S. government has developed an enormous, and powerfully successful, agricultural area—the “Heartland Grid”—just north of the city. In the meantime, in the wake of declining American power a multinational force has established itself in Cleveland. Behind these quickly shifting alliances lies a troubling yet tantalizing question: what will the American future look like?
On Black Sisters Street tells the haunting story of four very different women who have left their African homeland for the riches of Europe—and who are thrown together by bad luck and big dreams into a sisterhood that will change their lives. Each night, Sisi, Ama, Efe, and Joyce stand in the windows of Antwerp’s red-light district, promising to make men’s desires come true—if only for half an hour.
Dog Eat Dog is a remarkable record of being young in a nation undergoing tremendous turmoil, and provides a glimpse into South Africa’s pivotal kwaito (South African hip-hop) generation and life in Soweto. Set in 1994, just as South Africa is making its postapartheid transition, Dog Eat Dog captures the hopes—and crushing disappointments—that characterize such moments in a nation’s history.
In the Shade of the Shady Tree is a collection of stories set in the Western Australian wheatbelt, a vast grain-growing area that ranges across the southwestern end of the immense Australian interior. Kinsella’s stories offer glimpses into the lives of the people who call this area home, as the reader journeys from just north of the town of Geraldton to the far eastern and southern shires of the region.
In Harmless as Doves, P. L. Gaus takes the action to Florida in one of the most exciting mysteries in this series. This is Gaus at his best.
We Are All Zimbabweans Now is a political thriller set in Zimbabwe in the hopeful, early days of Robert Mugabe’s rise to power in the late 1980s. When Ben Dabney, a Wisconsin graduate student, arrives in the country, he is enamored with Mugabe and the promises of his government’s model of racial reconciliation. But as Ben begins his research and delves more deeply into his hero’s life, he finds fatal flaws.
Bafana Kuzwayo is a young man with a weight on his shoulders. After flunking his law studies at the University of Cape Town, he returns home to Soweto, where he must decide how to break the news to his family. But before he can confess, he is greeted as a hero by family and friends. His uncle calls him “Advo,” short for Advocate, and his mother wastes no time recruiting him to solve their legal problems.
Welcome to Our Hillbrow is an exhilarating and disturbing ride through the chaotic and hyper-real zone of Hillbrow—microcosm of all that is contradictory, alluring, and painful in the postapartheid South African psyche.
A Lebanese housewife, a former horror-film maker, and a cantankerous Russian librarian are among the inhabitants of the offbeat world found in this impressive debut collection. Stacy Tintocalis’s stories take us from a defunct women’s shelter off a Missouri country road to the streets of low-income Hollywood, where her characters yearn for the love that is always just out of reach.