Film and Media Studies

All Titles

Cover of Antonin Artaud

Antonin Artaud

Man of Vision

By Bettina L. Knapp

The extraordinary actor–director–writer who developed his talent for self-torture into art to become one of the most vital creative forces of the century.

Cover of Black and White in Colour

Black and White in Colour

African History on Screen

By Vivian Bickford-Smith and Richard Mendelsohn

Black and White in Colour: African History on Screen considers how the African past has been represented in a wide range of historical films. Written by a team of eminent international scholars, the volume provides extensive coverage of both place and time and deals with major issues in the written history of Africa.…


Cover of Blake Edwards

Blake Edwards

By Peter Lehman and William Luhr

Until the extraordinary critical and commercial success of "10," Blake Edwards was mostly known as the director of the immensely popular Pink Panther films. The character of Inspector Clouseau, as played by Peter Sellers, has, in the estimation of some critics, joined the ranks of such classic comic personae as Chaplin’s tramp and Keaton’s stone-faced clown.…

Cover of Dangerous Dames

Dangerous Dames

Women and Representation in Film Noir and the Weimar Street Film

By Jans B. Wager

Both film noir and the Weimar street film hold a continuing fascination for film spectators and film theorists alike. The female characters, especially the alluring femmes fatales, remain a focus for critical and popular attention.…


Cover of Flickering Shadows

Flickering Shadows

Cinema and Identity in Colonial Zimbabwe

By J. M. Burns

Every European power in Africa made motion pictures for its subjects, but no state invested as heavily in these films, and expected as much from them, as the British colony of Southern Rhodesia.…

Cover of Framing Shakespeare on Film

Framing Shakespeare on FilmOn Sale

How the Frame Reveals Meaning

By Kathy M. Howlett

The aesthetics of frame theory form the basis of Framing Shakespeare on Film. This groundbreaking work expands on the discussion of film constructivists in its claim that the spectacle of Shakespeare on film is a problem-solving activity.…


Cover of Immigration, Diversity, and Broadcasting in the United States 1990—2001

Immigration, Diversity, and Broadcasting in the United States 1990—2001

By Vibert C. Cambridge

The last decade of the twentieth century brought a maturing of the new racial and ethnic communities in the United States and the emergence of diversity and multiculturalism as dominant fields of discourse in legal, educational, and cultural contexts.…

Cover of The Movies Grow Up

The Movies Grow Up

1940–1980

By Charles Champlin

Nearly 200 photos enhance Champlin’s readable, fascinating survey of the movies from the Golden Age up through the year 1980. According to Champlin, movies art the art form of our time—perhaps even the art form of this century.…


Cover of Nigerian Video Films

Nigerian Video Films

Revised and Expanded Edition

Edited by Jonathan Haynes

Nigerian video films—dramatic features shot on video and sold as cassettes—are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry.…

Cover of Returning to the Scene

Returning to the Scene

Blake Edwards Volume 2

By William Luhr and Peter Lehman

In Volume 2 of their treatment of Blake Edwards’ work, William Luhr and Peter Lehman have continued their critical analysis of the films of one of the United States’ most prolific contemporary film directors.…


Cover of Shakespeare at the Cineplex

Shakespeare at the Cineplex

The Kenneth Branagh Era

By Samuel Crowl

Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989).…

Cover of Shakespeare in Production

Shakespeare in Production

Whose History?

By H. R. Coursen

Shakespeare in Production examines a number of plays in context. Included are the 1936 Romeo and Juliet, unpopular with critics of filmed Shakespeare, but very much a "photoplay" if its time; the opening sequences of filmed Hamlets which span more than seventy years; The Comedy of Errors on television, where production of this script is almost impossible; and the Branagh Much Ado About Nothing, a "popular" film discussed in the context of comedy as a genre.…


Cover of Shakespeare Observed

Shakespeare Observed

Studies in Performance on Stage and Screen

By Samuel Crowl

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays.…

Cover of Television, Nation, and Culture in Indonesia

Television, Nation, and Culture in IndonesiaOn Sale

By Philip Kitley

The culture of television in Indonesia began with its establishment in 1962 as a public broadcasting service. From that time, through the deregulation of television broadcasting in 1990 and the establishment of commercial channels, television can be understood, Philip Kitley argues, as a part of the New Order's national culture project, designed to legitimate an idealized Indonesian national cultural identity.…


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