Film and Media Studies Book List ·

Antonin Artaud

Man of Vision

The extraordinary actor–director–writer who developed his talent for self-torture into art to become one of the most vital creative forces of the century.

Black and White in Colour

African History on Screen

Black and White in Colour: African History on Screen considers how the African past has been represented in a wide range of historical films. Written by a team of eminent international scholars, the volume provides extensive coverage of both place and time and deals with major issues in the written history of Africa.…

Blake Edwards

Until the extraordinary critical and commercial success of “10,” Blake Edwards was mostly known as the director of the immensely popular Pink Panther films. The character of Inspector Clouseau, as played by Peter Sellers, has, in the estimation of some critics, joined the ranks of such classic comic personae as Chaplin’s tramp and Keaton’s stone-faced clown.…

Cinematic Hamlet

The Films of Olivier, Zeffirelli, Branagh, and Almereyda

Hamlet has inspired four outstanding film adaptations that continue to delight a wide and varied audience and to offer provocative new interpretations of Shakespeare’s most popular play. Cinematic Hamlet contains the first scene-by-scene analysis of the methods used by Laurence Olivier, Franco Zeffirelli, Kenneth Branagh, and Michael Almereyda to translate Hamlet into highly distinctive and remarkably effective films.…

Dangerous Dames

Women and Representation in Film Noir and the Weimar Street Film

Both film noir and the Weimar street film hold a continuing fascination for film spectators and film theorists alike. The female characters, especially the alluring femmes fatales, remain a focus for critical and popular attention.…

Flickering Shadows

Cinema and Identity in Colonial Zimbabwe

Every European power in Africa made motion pictures for its subjects, but no state invested as heavily in these films, and expected as much from them, as the British colony of Southern Rhodesia. Flickering Shadows is the first book to explore this little-known world of colonial cinema.…

Framing Shakespeare on Film

How the Frame Reveals Meaning

The aesthetics of frame theory form the basis of Framing Shakespeare on Film. This groundbreaking work expands on the discussion of film constructivists in its claim that the spectacle of Shakespeare on film is a problem-solving activity.…

Hollywood’s Africa after 1994

Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa.…

Available November 2012 (est.)

Immigration, Diversity, and Broadcasting in the United States 1990—2001

The last decade of the twentieth century brought a maturing of the new racial and ethnic communities in the United States and the emergence of diversity and multiculturalism as dominant fields of discourse in legal, educational, and cultural contexts.…

The Law of the Looking Glass

Cinema in Poland, 1896–1939

The Law of the Looking Glass: Cinema in Poland, 1896–1939 reveals the complex relationship between nationhood, national language, and national cinema in Europe before World War II. Author Sheila Skaff describes how the major issues facing the region before World War I, from the relatively slow pace of modernization to the desire for national sovereignty, shaped local practices in film production, exhibition, and criticism.…

The Movies Grow Up

1940–1980

Nearly 200 photos enhance Champlin’s readable, fascinating survey of the movies from the Golden Age up through the year 1980. According to Champlin, movies are the art form of our time—perhaps even the art form of this century.…

Nigerian Video Films

Revised and Expanded Edition

Nigerian video films—dramatic features shot on video and sold as cassettes—are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry.…

Returning to the Scene

Blake Edwards Volume 2

In Volume 2 of their treatment of Blake Edwards’ work, William Luhr and Peter Lehman have continued their critical analysis of the films of one of the United States’ most prolific contemporary film directors.…

Screening Morocco

Contemporary Film in a Changing Society

Since 1999 and the death of King Hassan II, Morocco has experienced a dramatic social transformation. Encouraged by the more openly democratic climate fostered by young King Mohammed VI, filmmakers have begun to explore the sociocultural and political debates of their country while also seeking to document the untold stories of a dark past.…

Shakespeare at the Cineplex

The Kenneth Branagh Era

Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989).…

Shakespeare in Production

Whose History?

Shakespeare in Production examines a number of plays in context. Included are the 1936 Romeo and Juliet, unpopular with critics of filmed Shakespeare, but very much a “photoplay” if its time; the opening sequences of filmed Hamlets which span more than seventy years; The Comedy of Errors on television, where production of this script is almost impossible; and the Branagh Much Ado About Nothing, a “popular” film discussed in the context of comedy as a genre.…

Shakespeare Observed

Studies in Performance on Stage and Screen

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays.…

Television, Nation, and Culture in Indonesia

The culture of television in Indonesia began with its establishment in 1962 as a public broadcasting service. From that time, through the deregulation of television broadcasting in 1990 and the establishment of commercial channels, television can be understood, Philip Kitley argues, as a part of the New Order's national culture project, designed to legitimate an idealized Indonesian national cultural identity.…

Viewing African Cinema in the Twenty-first Century

Art Films and the Nollywood Video Revolution

African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films.…