An accessible and comprehensive account of the role Ohio women have assumed in the history of the state and a narrative of their hardships and of the victories that have been won in the past two hundred years.
A comprehensive reassessment of a valiant band of Yankee soldiers
Whether romantic or tragic, accounts of the dramatic events surrounding the North American Dust Bowl of the “dirty thirties” unearthed anxieties buried deep in America's ecological imagination. Moreover, the images of a landscape of fear remain embedded in the national consciousness today. In vivid form, the aesthetic of suffering captured in Dorothea Lange's photographs and Woody Guthrie's folk songs created the myths and memories of the Depression generation.
This oral history, based on interview transcripts, is the untold story of African American life in West Virginia, as seen through the eyes of a remarkable woman: Memphis Tennessee Garrison, an innovative teacher, administrative worker at US Steel, and vice president of the National Board of the NAACP at the height of the civil rights struggle.
A deeper understanding of contemporary environmental problems requires us to know where we come from, and the study of environmental history will help us in that quest. Environmental history, in short, may be described as an attempt to study the interaction between humans and nature in the past. How have human societies affected their environment and vice versa? What does history tell us about ecological change?
The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples. In Art and Empire, Vivien Green Fryd's revealing cultural and political interpretation of the portraits, reliefs, allegories, and historical paintings commissioned for the U.S.
Key to the successful teaching and learning of history is its personalization. In presenting documents that help Ohio's rich history come alive in the minds of its readers, this book has purposely sought to provide eyewitness, first-person narratives that will make the reader want to turn the page and keep on reading.
The culture of television in Indonesia began with its establishment in 1962 as a public broadcasting service. From that time, through the deregulation of television broadcasting in 1990 and the establishment of commercial channels, television can be understood, Philip Kitley argues, as a part of the New Order's national culture project, designed to legitimate an idealized Indonesian national cultural identity.
In trade policy, as in many other areas of public policy, decision makers often confront present and future problems with little understanding of how similar disputes were resolved in the past. Too often, busy public officials had no time to write or record negotiating histories. Revisiting U.S. Trade Policy, which is certain to become a classic in the literature of trade negotiations, is just such a record. Built on the oral histories of thirty-five former U.S.
This book explores the history of African womanhood in colonial Kenya. By focussing on key sociocultural institutions and practices around which the lives of women were organized, and on the protracted debates that surrounded these institutions and practices during the colonial period, it investigates the nature of indigenous, mission, and colonial control of African women.
Kwame Nkrumah, who won independence for Ghana in 1957, was the first African statesman to achieve world recognition. Nkrumah and his movement also brought about the end of independent chieftaincy—one of the most fundamental changes in the history of Ghana. Kwame Nkrumah's Convention Peoples' Party was committed not only to the rapid termination of British colonial rule but also to the elimination of chiefly power.
South Africa's Resistance Press is a collection of essays celebrating the contributions of scores of newspapers, newsletters, and magazines that confronted the state in the generation after 1960. These publications contributed in no small measure to reviving a mass movement inside South Africa that would finally bring an end to apartheid.
Nigerian video films—dramatic features shot on video and sold as cassettes—are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry. The contributors to this volume, who include film and television directors, an anthropologist, and scholars of film studies and literature, take a variety of approaches to this flourishing popular art.
Between Sea and Sahara gives us Algeria in the third decade of colonization. Written in the 1850s by the gifted painter and extraordinary writer Eugene Fromentin, the many-faceted work is travelogue, fiction, stylized memoir, and essay on art. Fromentin paints a compelling word picture of Algeria and its people, questioning France’s—and his own—role there.
American Civil War
American History, 20th Century
American History, Early Republic
American History, Midwest
American History, Revolutionary Period
American History, West
British History - Victorian Era
History of the Arabian Peninsula
Latin American History
Native American History
Southeast Asian History
World War I
World War II