Soldier, hero, and politician, the Duke of Wellington is one of the best-known figures of nineteenth-century England. From his victory at Waterloo over Napoleon in 1815, he rose to become prime minister of his country. But Peter Sinnema finds equal fascination in Victorian England's response to the Duke's death.
The English middle class in the late nineteenth century enjoyed an increase in the availability and variety of material goods. With that, the visual markers of class membership and manly behavior underwent a radical change.
In the first half of the nineteenth century, England became quite literally a world on wheels. The sweeping technological changes wrought by the railways, steam-powered factory engines, and progressively more sophisticated wheeled conveyances of all types produced a corresponding revolution in Victorian iconography: the image of the wheel emerged as a dominant trope for power, modernity, and progress.
The Victorians were image obsessed. The middle decades of the nineteenth century saw an unprecedented growth in the picture industry. Technological advances enabled the Victorians to adorn with images the pages of their books and the walls of their homes. But this was not a wholly visual culture. Pictorial Victorians focuses on two of the most popular mid-nineteenth-century genres—illustration and narrative painting—that blurred the line between the visual and textual.
Long neglected by the academic world because of her rejection of belletristic values and resistance to convenient literary taxonomy, Doris Lessing has nonetheless built an international following of serious, dedicated readers.
The variety of Browning’s poetry has made it difficult to see his work as a canon rather than merely a collection. The Elusive Self takes issue with the opinion that Browning’s art is diffuse and argues instead for a unity born of his interest in man’s acts of introspection. The author observes in Browning’s idiosyncratic style and sense of time an adaptation of Romantic notions of spontaneity.
Based on an enormous body of short fiction, Elegant Nightmares is a study of the ghost story in England from Sheridan Le Fanu to more recent figures such as Algernon Blackwood and L.P. Hartley. Although Elegant Nightmares is a serious exploration of ghost and horror stories as prototypes of modern absurdist fiction, it is written in an entertaining, often witty style.
Book and Periodical Studies
Comics and Graphic Novel Culture
Literary Criticism, Africa
Literary Criticism, Caribbean
Literary Criticism, Eastern Europe
Literary Criticism, France
Literary Criticism, Latin America
Literary Criticism, Poetry
Literary Criticism, Theater
Literary Criticism, US