America’s Sketchbook
The Cultural Life of a Nineteenth-Century Literary Genre
America’s Sketchbook recaptures the drama of nineteenth-century American cultural life, placing at its center a genre—the literary sketch—more available than the novel, less governable by the critical establishment, and shot through with the tensions and types of local and national culture-making.…
Hired Pens
Professional Writers in America's Golden Age of Print
By Ronald Weber
Just as mass-market magazines and cheap books have played important roles in the creation of an American identity, those skilled craftsmen (and women) whose careers are the subjects of Ronald Weber's narrative profoundly influenced the outlook and strategies of the high-culture writers who are generally the focus of literary studies.…
Resisting Regionalism
Gender And Naturalism In American Fiction, 1885-1915
When James Lane Allen defined the “Feminine Principle” and the “Masculine Principle” in American fiction for the Atlantic Monthly in 1897, he in effect described local color fiction and naturalism, two branches of realism often regarded as bearing little relationship to each other.…
Wound and the Bow
Seven Studies In Literature
The Wound and the Bow collects seven wonderful essays on the delicate theme of the relation between art and suffering by the legendary literary and social critic, Edmund Wilson (1885–1972). This welcome re-issue—one of several for this title—testifies to the value publishers put on it and to a reluctance among them ever to let it stay out of print for very long.…
Private Poets, Worldly Acts
Public and Private History in Contemporary American Poetry
By Kevin Stein
At a time when poets appear tragically detached from the public for which they write, Kevin Stein persuasively demonstrates in Private Poets, Worldy Acts the way a particular group of diverse poets have manifested their communal concerns.…
Annotated Bibliography of Jane Austen Studies, 1984-94
By Barry Roth
This, Professor Roth’s third annotated bibliography of studies on Jane Austen, covers the years 1984–1994. Like the critically acclaimed earlier volumes, it charts the steady growth and enrichment of literary criticism of Austen in the second half of the twentieth century.…
Colonization, Violence, and Narration in White South African Writing
André Brink, Breyten Breytenbach, and J. M. Coetzee
The representation of pain and suffering in narrative form is an ongoing ethical issue in contemporary South African literature. Can violence be represented without sensationalistic effects, or, alternatively, without effects that tend to be conservative because they place the reader in a position of superiority over the victim or the perpetrator? Jolly looks at three primary South African authors—André Brink, Breyten Breytenbach, and J.…
Robert Browning’s Rondures Brave
Browning’s Fra Lippo Lippi says that we may pass things a hundred times and never see them. One thing that Browning’s readers have passed without seeing, or at least without remarking upon, is the circular conclusion in so many of his poems.…
Romanticism and the Anglican Newman
By David Goslee
Goslee’s study maintains that Newman’s Anglican writing, although widely considered irrelevant to the main currents of the post-Enlightenment, in fact reinterprets Romantic transcendence within a uniquely dialogic paradigm.…
Sight Unseen
Beckett, Pinter, Stoppard, and Other
In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden’s Pearl) to the docudramatic (David Rudkin’s Cries from Casement), from the curtly conversational (Harold Pinter’s A Slight Ache) to the virtually operatic (Robert Ferguson’s Transfigured Night), testifying to radio drama’s variety and literary stature.…
From the Uncollected Edmund Wilson
Edited by Janet Groth
By Edmund Wilson
Many of Wilson's writings have been anthologized. But there is another body of work — over fifty fine essays on aspects of contemporary literature and ideas — that have been scattered in a variety of magazines, including The New Yorker, The New Republic, Vanity Fair, and The Nation.…
Womanist and Feminist Aesthetics
A Comparative Review
Alice Walker’s womanist theory about black feminist identity and practice also contains a critique of white liberal feminism. This is the first in-depth study to examine issues of identity and difference within feminism by drawing on Walker’s notion of an essential black feminist consciousness.…
Dickens and Thackeray
Punishment and Forgiveness
Attitudes toward punishment and forgiveness in English society of the nineteenth century came, for the most part, out of Christianity. In actual experience the ideal was not often met, but in the literature of the time the model was important.…
After the Grapes of Wrath
Essays on John Steinbeck in Honor of Tetsumaro Hayashi
Edited by Donald V. Coers, Robert DeMott and Paul D. Ruffin
Traditionally, the critical reputation of Nobel Prize-winning American novelist John Steinbeck (1902-1968) has rested on his achievements of the 1930s, especially In Dubious Battle (1936), Of Mice and Men (1937, The Long Valley (1938), and, of course, The Grapes of Wrath (1939), one of the most powerful – and arguable on of the greatest – American novels of this century.…
Stories of Raymond Carver
A Critical Study
By Kirk Nesset
Raymond Carver, known in some circles as the “godfather of minimalism,” has been credited by many as the rejuvenator of the once-dying American short story. (See the link on this page to a 2008 Kenyon Review story that discusses the recent controversy over the editing of Carver’s stories.…
Wittgenstein and Critical Theory
Beyond Postmodern Criticism and Toward Descriptive Investigations
The crucial point of Brill’s study is that of fit: which critical methods prove most useful towards opening up which texts? Close investigations into the parameters of the language games of texts, critics, and methods enable us to determine which paths to take towards more complete descriptive analyses and critique.…
The New Short Story Theories
Edited by Charles E. May
The first edition of May’s Short Story Theories (1976) opened with an essay entitled “The Short Story: An Underrated Art.” Almost two decades later, the short story suffers no such slight.…
Wuthering Heights
A Study
Wuthering Heights at once fascinates and frustrates the reader with the highly charged, passionate and problematic relationships it portrays. This study provides a key to the text by examining the temporal and narrative rhythms through which Brontë presents the dualities by which we commonly define our selfhood: child and adult, female and male, symbiosis and separateness, illogic and common sense, classlessness and classboundedness, play and power, free will and determinism.…
Claribel Alegría and Central American Literature
Critical Essays
Edited by Sandra M. Boschetto-Sandoval and Marcia Phillips McGowan
These essays examine the multifaceted work of the Central American author whom Latin American literary historians consider precursor of “cultural dialogism” in poetry and fiction. As poet, essayist, journalist, novelist, and writer of “quasi–testimonio,” Alegría’s multiple discourses transgress the boundaries between traditional and postmodern political theories and practices.…
Nietzsche and Emerson
An Elective Affinity
George J. Stack traces the sources of ideas and theories that have long been considered the exclusive province of Friedrich Nietzsche to the surprisingly radical writings of the American essayist and poet, Ralph Waldo Emerson.…



















