Collected Poems 1953–1983 · By Lucien Stryk

Lucien Stryk’s poetry is made of simple things—frost on a windowpane at morning, ducks moving across a pond, a neighbor’s fuss over his lawn—set into language that is at once direct and powerful. Years of translating Zen poems and religious texts have helped give Stryk a special sense of the particular, a feel for those details which, because they are so much a part of our lives, seem to define us.

Cover of 'Collected Poems 1953–1983'


Northern Summer · New and Selected poems, 1963-1983 · By John Matthias

Northern Summer is a representative selection from John Matthias’s previous books, together with a group of poems written since 1980. Robert Duncan wrote of his first book, Bucyrus, that in part “Matthias is a Goliard – one of those wandering souls out of a dark age in our own time.”

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American Fantasies · Collected Poems, 1945-1981 · By James Schevill

In this collection, Schevill brings together a series of poems that he has been working on since his first book was published in 1947. Diverse characters, both real and imaginary, reveal fantasies of American life and history. The dramatic voices of the characters contrast with the subjective voice of the narrator as he moves through time and space, remembering and anticipating.

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Collected Poems E. L. Mayo · By E. L. Mayo

E. L. Mayo was a quiet poet who embraced obscurity almost as a condition for his intellectual freedom. Still, a few discerning critics noticed. David Daiches has said that “Mayo’s poems … pretend to be simple prose–like utterances, whereas in fact the best of them contain an echoing poetic meaning which begins to relase itself a split second after we have read the words.”

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The Complete Works of Robert Browning, Volume V · With Variant Readings and Annotations · Edited by Roma A. King Jr., Allan C. Dooley, Harry Krynicky, and Donald Smalley

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Volume V contains: A Soul’s Tragedy Poems Christmas-Eve and Easter Day Essay on Shelley Men and Women, Vol.



Poems Old and New, 1918-1978 · By Janet Lewis

Kenneth Rexroth wrote: “Janet Lewis uses reason to veil and adorn the flesh of feeling and intuition. This is the way the greatest poetry has always been written.” The poems in this collection range over a period of 60 years. The style is spare, direct, cutting to the core of subject. Richness of intelligence and a concern for the human has also characterized every phase of Lewis’ development.

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Selected Poems · By Lucien Stryk

Lucien Stryk’s poetry is spare and quiet, but intensely powerful. Selected Poems brings together nearly all his published work, including all the poems from Notes for a Guidebook, The Pit and Other Poems, and Awakening, as well as new and previously uncollected poems.

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The Complete Works of Robert Browning, Volume IV · Edited by Roma A. King Jr., Thomas Wilson, Park Honan, Raymond E. Fitch, and Morse Peckham

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

Cover of 'The Complete Works of Robert Browning, Volume IV'


The Movie at the End of the World · Collected Poems · By Thomas McGrath

For more than 30 years Thomas McGrath has held a special place among American poets. His lyric and rhapsodic strengths are unequalled. His use of rhetoric and of the sonorities of poetic speech have been compared to Hart Crane and Dylan Thomas. McGrath's work has become more significant in recent years, as a new generation of pets with intense political concerns have discovered his work.

Cover of 'The Movie at the End of the World'


Awakening · By Lucien Stryk

The sharpness of Lucien Stryk’s poetry is made of simple things—frost on a windowpane at morning, ducks moving across a pond, an argument flailing in the distance, a neighbor's fuss over his lawn—set down in a language that is at once direct and powerful. Awakening is, in large part, an approach to what is most familiar by a poet whose language and poetic attention have found their own maturity.

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The Complete Works of Robert Browning, Volume III · With Variant Readings and Annotations · By Robert Browning · Edited by Roma A. King Jr., Morse Peckham, Park Honan, Donald Smalley, and John Hulsman

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

Cover of 'The Complete Works of Robert Browning, Volume III'


The Complete Works of Robert Browning, Volume II · With Variant Readings and Annotations · By Robert Browning · Edited by Roma A. King Jr., Gordon Pitts, and John Berkey

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Volume II contains Browning’s play, Strafford: An Historical Tragedy (1837), and the long poem, Sordello (1840).

Cover of 'The Complete Works of Robert Browning, Volume II'


Translations by American Poets · Edited by Jean Garrigue

This unique collection of poems, translated by more than forty major contemporary American poets, grew out of a project of the Poetry Center of the New York YMHA supported by the Bollingen Foundation and under the direction of Miss Elizabeth Kray. The purpose was two-fold: “to stimulate the art of translation” and to open “the flow of foreign poetry into native English current.”

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The Complete Works of Robert Browning, Volume I · With Variant Readings and Annotations · By Robert Browning · Edited by Roma A. King Jr., John Berkey, and Morse Peckham

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Volume I contains two dramatic poems, Pauline; A Fragment of a Confession and Paracelsus, along with a sonnet, “Eyes Calm Beside Thee.”

Cover of 'The Complete Works of Robert Browning, Volume I'


Forms of Discovery · Critical and Historical Essays on the Forms of the Short Poem in English · By Yvor Winters

With Forms of Discover, Yvor Winters completes his critical canon. The distinguished poet-critic defines by analysis and example the development of the method that he has called “post-Symbolist.” Starting with the styles of the English Renaissance, Winters discusses at length the felicities and shortcomings of these traditions, the main defect being that sensory imagery was little more than ornament.

Cover of 'Forms of Discovery'


See Also

Women Poets