Journalism and Communication - Recent Titles from Ohio University Press

Evidence of My Existence

Mon, 01 Oct 2007

Evidence of My Existence (2007)

By Jim Lo Scalzo

From a leper colony in India to an American research station on the Antarctic Peninsula, from the back rooms of the White House to the battlefields of Iraq and Afghanistan, Evidence of My Existence tells a unique and riveting story of seventeen years spent racing from one photo assignment to the next. It is also a story of photojournalism and the consequences of obsessive wanderlust.

When the book opens, Jim Lo Scalzo is a blur to his wife, her remarkable tolerance wearing thin. She is heading to the hospital with her second miscarriage, and Jim is heading to Baghdad to cover the American invasion of Iraq. He hates himself for this—for not giving her a child, for deserting her when she so obviously needs him, for being consumed by his job—but how to stop moving? Sure, there have been some tough trips. He’s been spit on by Mennonites in Missouri, by heroin addicts in Pakistan, and by the KKK in South Carolina. He’s contracted hepatitis on the Navajo Nation, endured two bouts of amoebic dysentery in India and Burma and four cases of giardia in Nepal, Peru, Afghanistan, and Cuba. He’s been shot with rubber bullets in Seattle, knocked to the ground by a water cannon in Quebec, and sprayed with more teargas than he cares to recall. But photojournalism is his career, and travel is his compulsive craving.

We follow Lo Scalzo through the maze of airports and crowds and countries as he chases the career he has always wanted, struggles with his family problems, and reveals the pleasures of a life singularly focused. For him, as for so many photojournalists, it is always about the going.

For more information about this book visit ohioswallow.com/book/Evidence+of+My+Existence.
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Black and White in Colour

Thu, 15 Mar 2007

Black and White in Colour (2007)
African History on Screen

By Vivian Bickford-Smith and Richard Mendelsohn

Black and White in Colour: African History on Screen considers how the African past has been represented in a wide range of historical films. Written by a team of eminent international scholars, the volume provides extensive coverage of both place and time and deals with major issues in the written history of Africa. Themes include the slave trade, imperialism and colonialism, racism, and anticolonial resistance. Many of the films will be familiar to readers: they include Out of Africa, Hotel Rwanda, Breaker Morant, Cry Freedom, The Battle of Algiers, and Chocolat.

This collection of essays is a highly original and useful contribution to African historiography, as well as a significant addition to the growing body of work within the emerging subdiscipline of “film and history.” It will appeal to those interested in African history and the ways in which films use the past to raise questions about the present.

For more information about this book visit ohioswallow.com/book/Black+and+White+in+Colour.
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In Pursuit of German Memory

Sun, 15 Jan 2006

In Pursuit of German Memory (2006)
History, Television, and Politics after Auschwitz

By Wulf Kansteiner

The collective memories of Nazism that developed in postwar Germany have helped define a new paradigm of memory politics. From Europe to South Africa and from Latin America to Iraq, scholars have studied the German case to learn how to overcome internal division and regain international recognition.

In Pursuit of German Memory: History, Television, and Politics after Auschwitz examines three arenas of German memory politics—professional historiography, national politics, and national public television—that have played key roles in the reinvention of the Nazi past in the last sixty years. Wulf Kansteiner shows that the interpretations of the past proposed by historians, politicians, and television producers reflect political and generational divisions and an extraordinary concern for Germany's image abroad. At the same time, each of these theaters of memory has developed its own dynamics and formats of historical reflection.

Kansteiner’s analysis of the German scene reveals a complex social geography of collective memory. In Pursuit of German Memory underscores the fact that German memories of Nazism, like many other collective memories, combine two seemingly contradictory qualities: They are highly mediated and part of a global exchange of images and story fragments but, at the same time, they can be reproduced only locally, in narrowly circumscribed networks of communication.

For more information about this book visit ohioswallow.com/book/In+Pursuit+of+German+Memory.
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DeVoto’s West

Sat, 01 Jan 2005

DeVoto’s West (2005)
History, Conservation, and the Public Good

Edited by Edward A. Mueller

Social commentator and preeminent western historian Bernard DeVoto vigorously defended public lands in the West against commercial interests. By the time of his death in 1955, DeVoto had published criticism, history, and fiction. He had won both the Pulitzer and Bancroft prizes. But his most passionate writing—at once incisive and eloquent—advocated conservation of America’s prairies, rangeland, forests, mountains, canyons, and deserts.

DeVoto’s West: History, Conservation, and the Public Good showcases the complexity, depth, and breadth of DeVoto’s thinking. Edward K. Muller introduces these essays (many of which originally appeared in the renowned Harper’s column The Easy Chair) that persuasively advocate stewardship of public land. DeVoto addressed the plundering of resources by absentee eastern corporations, westerners’ conflicted relationship with the forces of exploitation, and the degradation of the national parks.

DeVoto’s West collects for the first time the best of DeVoto’s conservation pieces. It will introduce to a new generation prose that has retained its relevance and remains a remarkably current and timely argument for protecting public lands.

For more information about this book visit ohioswallow.com/book/DeVoto%E2%80%99s+West.
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Immigration, Diversity, and Broadcasting in the United States 1990—2001

Thu, 30 Dec 2004

Immigration, Diversity, and Broadcasting in the United States 1990—2001 (2004)

By Vibert C. Cambridge

The last decade of the twentieth century brought a maturing of the new racial and ethnic communities in the United States and the emergence of diversity and multiculturalism as dominant fields of discourse in legal, educational, and cultural contexts. Immigration, Diversity, and Broadcasting in the United States, 1990—2001 is a contribution to our understanding of the web of relationships that existed at the intersection of immigration, race, ethnicity, and broadcasting in America during this period.

Professor Vibert C. Cambridge investigates and questions how broadcasting in the United States responded to the changing racial and ethnic composition of the society. What patterns could be drawn from these responses? What roles were served? What roles are currently being served? What stimulated the changing of roles?

Ultimately, Immigration, Diversity, and Broadcasting in the United States evaluates the performance of the American broadcasting industry. The answers to this book's core questions provide insights into how the American broadcasting industry responded to freedom, equality, diversity, information quality, social order, and solidarity at century’s end.

For more information about this book visit ohioswallow.com/book/Immigration%2C+Diversity%2C+and+Broadcasting+in+the+United+States+1990%E2%80%942001.
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Mencken’s America

Mon, 23 Feb 2004

Mencken’s America (2004)
H. L. Mencken

Edited by S. T. Joshi

Long famous as a political, social, and cultural gadfly, journalist and essayist H. L. Mencken was unafraid to speak his mind on controversial topics and to express his views in a deliberately provocative manner.

Mencken was prolific; much of his best work lies buried in the newspapers and magazines in which it originally appeared. Mencken's America is a sampling of this uncollected work, arranged to present the wide-ranging treatise on American culture that Mencken himself never wrote.

The core of the book is a series of six articles on "The American" published in the Smart Set in 1913-14. Never before reprinted, they embody the essence of Mencken's views on the deficiencies of his countrymen.

What was the problem with America? For Mencken, it could be summed up in one word: Puritanism. Puritanism accounted for much that was wrong with American culture: the prevalence of "militant morality" represented by Prohibition, by campaigns against prostitution, and by religious fundamentalism. American hostility toward the fine arts led to furious attempts to suppress any work of art that was thought to contravene conventional morality-attempts that Mencken chronicles with impressive scholarship in the essay "Puritanism as a Literary Force."

Mencken reserved his greatest scorn for American political institutions. Opposed to the very principle of democracy and universal suffrage, he maintained that, in the absence of an educated electorate, all politicians are compelled to become demagogues.

Bracing, infuriating, and pungent, H. L. Mencken's writings retain their relevance even after the passage of nearly a hundred years, cogently discussing issues with which Americans of the twenty-first century are still wrestling. Sagaciously edited by S. T. Joshi, one of the country's foremost Mencken scholars, Mencken's America is a superb example of America's turning the looking glass on itself.

For more information about this book visit ohioswallow.com/book/Mencken%E2%80%99s+America.
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Shakespeare at the Cineplex

Mon, 22 Sep 2003

Shakespeare at the Cineplex (2003)
The Kenneth Branagh Era

By Samuel Crowl

Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the "long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001." The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance.

For more information about this book visit ohioswallow.com/book/Shakespeare+at+the+Cineplex.
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John Reed and the Writing of Revolution

Tue, 31 Dec 2002

John Reed and the Writing of Revolution (2002)

By Daniel W. Lehman

John Reed (1887-1920) is best known as the author of Ten Days That Shook the World and as champion of the communist movement in the United States. Still, Reed remains a writer almost systematically ignored by the literary critical establishment, even if alternately vilified and lionized by historians and by films like Warren Beatty's Reds.

John Reed and the Writing of Revolution examines Reed's writing from a different critical perspective—one informed by a theoretical and practical understanding of literary nonfiction. In both politics and writing, John Reed defied fashion. In his short career, Reed transcended the traditional creative arts of fiction, poetry, and drama in favor of deeply researched histories composed with the cadence of fiction and the power of fact. Reed thereby alienated literary critics who had idealized timeless artistry against the rough-and-tumble world of historical details and political implications.

Working from a close investigation of rare articles, manuscripts, and the Reed papers at Harvard as well as from Reed's published work, Daniel W. Lehman offers the first detailed literary study of the man who followed Pancho Villa into battle; wrote literary profiles of such characters as Henry Ford, William Jennings Bryan, and Billy Sunday; explicated the Byzantine factionalism of Eastern Europe; and witnessed the storming of the Winter Palace and the birth of Soviet Russia.

For more information about this book visit ohioswallow.com/book/John+Reed+and+the+Writing+of+Revolution.
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H. L. Mencken on American Literature

Mon, 15 Jul 2002

H. L. Mencken on American Literature (2002)

Edited by S. T. Joshi

H. L. Mencken was one of the leading literary, social, and cultural critics of the 1910s, '20s, and '30s. However, very few of his literary reviews have been reprinted in any form prior to their appearance in this volume.

H. L. Mencken on American Literature presents a comprehensive selection of Mencken's reviews of the leading American writers of his time. Manifestly interested in establishing a canon of American literature, he took great pains to vaunt writers such as Theodore Dreiser, Sherwood Anderson, Willa Cather, F. Scott Fitzgerald, Sinclair Lewis, and James Branch Cabell as the most accomplished authors of the day.

At the same time, he found deficiencies in the work of such highly regarded figures as Edith Wharton, W. D. Howells, and Ambrose Bierce, placing them only in the second rank of American writers. Mencken also considered it his function to demolish the popular work of now-forgotten best-selling writers, demonstrating in his inimitably scathing manner the degree to which their catering to a mass audience rendered their work hollow and subliterary.

Mencken's reviews are a vast and untapped source for his provocative analyses of the best and the worst in American literature. They are presented here in a scrupulously edited and annotated edition.

For more information about this book visit ohioswallow.com/book/H.+L.+Mencken+on+American+Literature.
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Beyond the Barricades

Sat, 15 Jun 2002

Beyond the Barricades (2002)
Nicaragua and the Struggle for the Sandinista Press, 1979–1998

By Adam Jones

Throughout the 1980s, Barricada, the official daily newspaper of the ruling Sandinista Front, played the standard role of a party organ, seeking the mobilize the Nicaraguan public to support the revolutionary agenda. Beyond the Barricades, however, reveals a story that is both more intriguing and much more complex. Even during this period of sweeping transformation and outside military siege, another, more professional agenda also motivated Barricada’s journalists and editors.

When the Sandinistas unexpectedly fell from power in the 1990 elections, Barricada gained a substantial degree of autonomy that allowed it to explore a more balanced and nuanced journalism “in the national interest.” This new orientation, however, ran afoul of more orthodox party leaders, who gradually gained the upper hand in the bitter internal struggle that wracked the Sandinista Front in the early 1990s. The paper closed its doors in January 1998.

Adam Jones’s outstanding study offers an unprecedented behin-the-scenes looks at Barricada’s two decades of evolution and dissolution. It also presents an intimate portrait of a key revolutionary institution and the memorable individuals who were a part of it.

For more information about this book visit ohioswallow.com/book/Beyond+the+Barricades.
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