Praise for the second edition
Before you go to meet your maker, go to make your meter. And you couldn’t be in better hands than those of Timothy Steele. His friendly but deeply knowledgeable guide to versification marks a quarter century of informing, yes, but most importantly inspiring generations to feel confident and excited about poetic forms. He takes technique out of the lecture hall and blows away the dust of the school room.
— Stephen Fry
Praise for the second edition
Timothy Steele is one of the finest poets writing in English. He is also, to my mind, the most enlightening analyst of the art of poetry. All the Fun's in How You Say a Thing is a book that ranges over the history and skills of poetry in a manner that is lively, lucid, and profound. It is by far the best book on the subject of how that wondrous thing, poetry, is "said"—a view from both the outside and the inside.
— Vikram Seth
Praise for the second edition
Timothy Steele’s All the Fun’s in How You Say a Thing is an essential book. It has taught me as much about poetry as any book I’ve read, and whenever I teach a class on meter—which is often—it’s the textbook I assign. You must read this book.
— Shane McCrae
Praise for the second edition
On its release in 1999, All the Fun’s in How You Say a Thing was an instant classic for anyone interested in using or understanding poetic technique—poets at all levels, from beginners to major awards winners, students, teachers, scholars, and critics. Since its publication, it has continued to serve as the principal guide to the theory and practice of English-language versification. No doubt, it’s just getting started. But, for these first twenty-five years, I and many other teachers have been telling students and fellow poets that if they want to learn verse technique, they should start with this book. I can also say, without reservation, that, in the 450 years since people first began writing down the principles of English-language versification, this is the best, and the essential, book of its kind. It combines deep scholarly and theoretical knowledge with the technical knowhow of a virtuosic practitioner and poet. Steele demystifies and with unexpected elegance elaborates the subtle relationships among meter, line, stanza, and syntax. I have often been present when students and even established poets, with the help of Steele’s book, finally grasp how versification works, and what it is for. Suddenly you see a world of expressive power open up before them.
— Joshua Mehigan
Praise for the second edition
If the craft of verse is one of the pillars of artistic civilization, Timothy Steele's All the Fun's in How You Say a Thing has proven itself to be the modern base of that pillar. It is the greatest and most authoritative book on versification that we have, full stop. I cannot overstate how formative Steele's book has been to me both as a poet and an analyst of poetry. Steele has a superhuman gift for explaining complex concepts in the clearest language possible, and his pioneering work in the theory of rhythmic modulation elevates this book far above the rest of the herd. This masterful tome will teach you how to appreciate the music of language as no one else can. Don't read poetry without it.
— Elijah Perseus Blumov, Versecraft podcast host
Praise for the first edition
Steele’s elegantly written book, as entertaining and readable as it is erudite and taxonomically precise . . . successfully explains—in so far as it is possible to do so—how metre, in being predictable, allows for what is wholly unpredictable.
— Times Literary Supplement
Praise for the first edition
Steele places the many styles of poetry in historical context and clearly explains such elements as rhyme, rhythm, elision, and the use of stanzas. Students of poetry as well as practicing poets who wish to hone their craft will find this new book immensely helpful.
— Library Journal
Praise for the first edition
All the Fun’s in How You Say a Thing takes its title from a line by Frost, a poet whose commitment to clarity of expression Steele clearly shares in this modest, neatly organized, and lucidly written explanation of English meter. Steele incorporates into his graceful study a wealth of linguistic insight. Steele's sharp and witty book is the perfect Poetry Month selection: an expert guide that speaks to all levels of readers.
— Kirkus
Praise for the first edition
Though sufficiently specialized to inform scholars, the book will not bewilder uninitiated readers. Steele is an adroit writer, imaginative, vibrant, alluring. . . . Strongly recommended as a textbook in metrics and for all libraries supporting study of language at the upper-division undergraduate level and above.
— Choice
Praise for the first edition
Throughout, Steele’s choice of examples, drawn from the entire range of English-language poetry since Chaucer, indicates an impressive breadth of learning and a lively catholicity of taste. . . . This book defines a notably high standard for future writers in the field to emulate.
— Poetry Magazine
Praise for the first edition
Steele himself says that a formally experienced poet would not require a book on meter to learn his trade. That is surely true; yet I can testify, as one who has been writing in meter for over fifty years, that Steele's book has been delightful and instructive reading for me.
— Richard Wilbur
Praise for the first edition
Thoughtful, just, and convincing, All the Fun’s in How You Say a Thing is written with clarity and a wide range of reference. The formality, music, and good sense Timothy Steele espouses need to be reaffirmed from time to time; and he has done this with grace and intelligence.
— Anthony Hecht
