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D. M. Thomas

D.M. Thomas is a novelist, poet, and critic, and also one of the preeminent translators of Russian poetry. He lives in England.

Listed in: Poetry · Women Poets · Literary Studies

Cover of 'Way of All the Earth'

Way of All the Earth
By Anna Akhmatova
· Translation by D. M. Thomas

Way of All the Earth contains selected poems written by Anna Akhmatova, one of Russia’s greatest poets whose works embody the complexities of her era. Intricately observed and unwavering in their emotional immediacy, these strikingly modern poems represent one of the twentieth century’s most powerful voices.

Cover of 'Requiem and Poem without a Hero'

Requiem and Poem without a Hero
By Anna Akhmatova
· Translation by D. M. Thomas

With this edition of Requiem and Poem without a Hero, Swallow Press presents two of Anna Akhmatova's best-known works, ones that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin's regime. Akhmatova began the three-decade process of writing Requiem in 1935 after the arrests of her son, Lev Gumilev, and her third husband.

Cover of 'You Will Hear Thunder'

You Will Hear Thunder
By Anna Akhmatova
· Translation by D. M. Thomas

Anna Akhmatova (1889–1966) was part of that magnificent and tragic generation of Russian artists which came to first maturity before 1917, and which then had to come to terms with official discouragement and often persecution. You Will Hear Thunder brings together for the first time all D.M. Thomas’s translations of her poems.

Cover of 'You Will Hear Thunder'

You Will Hear Thunder
By Anna Akhmatova
· Translation by D. M. Thomas

Anna Akhmatova (1889–1966) was part of that magnificent and in many ways tragic generation of Russian artists which came to first maturity before 1917, and which then had to come to terms with official discouragement and often persecution. As D.M. Thomas points out in his introduction, practically none of her poetry was published between 1923 and 1940. Her poetic range was wide, from the transparent anonymity of “Requiem” to the symphonic complexity of “Poem without a Hero.”

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