Peter W. Sinnema is an associate professor of English at the University of Alberta. He is author of Dynamics of the Pictured Page: Representing the Nation in the Illustrated London News and editor of the Oxford World's Classics edition of Self-Help by Samuel Smiles.
Listed in: Literary Criticism, UK · Victorian Studies · Art History · History · British History · European History · Comics and Graphic Novel Culture · Literary Studies
Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images—illustrated books, periodicals, cartoons, comics, and ephemera—to a mass readership. This Victorian visual turn prefigured the present-day impact of the Internet on how images are produced and shared, both driving and reflecting the visual culture of its time.
Soldier, hero, and politician, the Duke of Wellington is one of the best-known figures of nineteenth-century England. From his victory at Waterloo over Napoleon in 1815, he rose to become prime minister of his country. But Peter Sinnema finds equal fascination in Victorian England's response to the Duke's death.