A Swallow Press Book
Edited by Evelyn J. Hinz
In this book Anaïs Nin speaks with warmth and urgency on those themes which have always been closest to her: relationships, creativity, the struggle for wholeness, the unveiling of woman, the artist as magician, women reconstructing the world, moving from the dream outward, and experiencing our lives to the fullest possible extent.
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An invaluable key to self-understanding, The Wounded Woman shows that by understanding the father-daughter wound, it is possible to achieve a fruitful, caring relationship between men and women, between fathers and daughters, a relationship that honors both the mutuality and the uniqueness of the sexes.
The cowboy—that lonely, quiet, hard-working, hard-playing, essentially honest, always masculine, rugged individual—has become the preeminent American myth. The graphics represented in this book are in large part responsible for the popularization and sometimes even the creation of the cowboy myth.
An excerpt from Seduction of the Minotaur: Some voyages have their inception in the blueprint of a dream, some in the urgency of contradicting a dream. Lillian's recurrent dream of a ship that could not reach the water, that sailed laboriously, pushed by her with great effort, through city streets, had determined her course toward the sea, as if she would give this ship, once and for all, its proper sea bed.