This volume is both a catalogue of the museum’s photographic holdings and a celebration of its recent exhibition Legacy of Light: Master Photographs from the Cleveland Museum of Art. The catalogue and exhibition provided the opportunity to reflect on what the museum has accomplished since making a curatorial and financial commitment to collect photography thirteen years ago. Determined by availability and, at times, good fortune, the photographs assembled illuminate the particular era in which they were made and simultaneously yield insights into the universal human condition. Ultimately, they can simply be enjoyed as expressions of individual creativity at its highest level.
In this elegantly produced volume, the full scope of the collection is represented faithfully and with bibliographic accuracy. Twenty-eight artists are accorded full-page reproductions of signature works, accompanied by the artist's profile and discussion of the work.
Among the many master photographers represented here are Ansel Adams, Diane Arbus, Eugène Atget, Édouard Baldus, Margaret Bourke-White, Mathew Brady, Julia Margaret Cameron, Imogen Cunningham, Walker Evans, Robert Frank, Lee Friedlander, Francis Frith, Lewis Hine, André Kertész, Dorothea Lange, Richard Long, Duane Michals, Irving Penn, Aaron Siskind, Edward Steichen, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, Jerry Uelsmann, Edward Weston, and Minor White.
Tom E. Hinson is the curator of contemporary art and photography at the Cleveland Museum of Art. More info →
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Explores Cleveland’s artistic life from its origins to the mid-twentieth century, when regional schools declined relative to the ascent of national and international art movements.
Rookwood and the American Indian blends anthropology with art history to reveal the relationships between the white settlers and the Native Americans in general, between Cincinnati and the American Indian in particular, and ultimately between Rookwood artists and their Indian friends.
Edna Boies Hopkins (1872 –1937) is known for her floral woodblock prints that range from Japanese-inspired stylizations to boldly colored and progressively modernist works. In her brief career, Hopkins produced seventy-four known woodblock prints, including figurative work and landscapes as well as floral compositions. This catalogue illustrates all of Hopkins’s known prints, related drawings, and studies.
In A Photographer’s Guide to Ohio Ian Adams, Ohio’s foremost landscape photographer, guides you to some of the most photogenic sites in the Buckeye State. With 3,600 buildings on the National Register of Historic Places, more than 120 state parks and nature preserves, and the world’s largest Amish community, Ohio’s photographic subjects are nearly endless.