“Buckton’s scholarly synthesis pushes us to reconsider the relationship between travel writing and fiction in Stevenson’s body of work and to examine the intersections between issues such as colonialism and same-sex desire across genres.”
Victorian Studies
“Buckton convincingly argues for continued consideration of Stevenson as a writer who productively engaged with the social concerns of the contemporaneous moment.”
Rocky Mountain Review
“Buckton’s book offers a series of original, and at times, provocative reappraisals of some of Stevenson’s most undervalued writings.”
English Literature in Transition
“Overall this sophisticated approach to Stevenson’s writings offers an admirable heuristic for bringing into conjunction his literal and literary journeys.”
Romanticism & Victorianism on the Net
Cruising with Robert Louis Stevenson: Travel, Narrative, and the Colonial Body is the first booklengthstudy about the influence of travel on RobertLouis Stevenson’s writings, both fiction and nonfiction.Within the contexts of late-Victorian imperialism andethnographic discourse, the book offers original closereadings of individual works by Stevenson while bringingnew theoretical insights to bear on the relationshipbetween travel, authorship, and gender identity in theVictorian fin de siècle.
Oliver S. Buckton develops “cruising” as a criticalterm, linking Stevenson’s leisurely mode of travelwith the striking narrative motifs of disruption andfragmentation that characterize his writings. Bucktontraces the development of Stevenson’s career from hisearly travel books to show how Stevenson’s majorworks of fiction, such as Treasure Island, Kidnapped, andThe Ebb-Tide, draw on innovative techniques and materialsStevenson acquired in the course of his globaltravels.
Exploring Stevenson’s pivotal role in the revivalof “romance” in the late nineteenth century, Cruisingwith Robert Louis Stevenson highlights Stevenson’s treatmentof the human body as part of his resistance torealism, arguing that the energies and desires releasedby travel are often routed through disturbingly resistantor darkly comic corporeal figures. Buckton gives extensiveattention to Stevenson’s writing about the SouthSeas, arguing that his groundbreaking critiques ofEuropean colonialism are formed in awareness of thefragility and desirability of Polynesian bodies and islandlandscapes.
Cruising with Robert Louis Stevenson will be indispensableto all admirers of Stevenson as well as of greatinterest to readers of travel writing, Victorian ethnography,gender studies, and literary criticism.
Oliver S. Buckton is an associate professor of English at Florida Atlantic University in Boca Raton, where he teaches Victorian literature, critical theory, and film. He is the author of Secret Selves: Confession and Same-Sex Desire in Victorian Autobiography and has published essays on Dickens, Stevenson, Wilde, and Schreiner. More info →
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Hardcover
978-0-8214-1756-0
Retail price: $55.00,
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Release date: June 2007
352 pages
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6 × 9 in.
Rights: World
”Oliver Buckton’s informed and sophisticated book skillfully combines...theoretical preoccupations with a meticulous exploration of Stevenson’s writing, probing the influence of travel on his fictional and nonfictional prose works.... A valuable addition to the study of nineteenth-century travel writing and fiction.”
Journal of British Studies
“Highly recommended.”
Choice
“The first book centered on the influence of travel on Stevenson’s writing from the beginning to the end of his career.... By largely exempting the most often examined of Stevenson’s texts, it focuses necessary attention on the others, particularly the juvenile fiction and the travel writing.... Thoroughly researched both historically and critically.”
The Victorian Web
“Oliver Buckton’s lucid study moves with grace and discernment from close analyses of literary texts to informed and consistently informative investigations of culture and colonial politics in the Victorian fin de siècle. Buckton shows how a commitment to ‘cruising’—as a mode of travel, a cast of mind, and a method of composition—enabled Stevenson to produce a body of literature that is at once historically aware and aesthetically sophisticated. Cruising with Robert Louis Stevenson will be indispensable not just to scholars of Stevenson but to all readers interested in the literature of modern empire.”
Stephen Arata, University of Virginia
“Cruising with Robert Louis Stevenson makes a vital contribution to the resurgent critical interest in Stevenson’s increasingly fraught career. By tracing Stevenson’s enduring interest in ‘cruising’—the mobility that characterizes his travel narratives, historical romances, and writings on Samoa—Buckton unravels this great writer’s sharpened awareness of imperial oppression. Among its many achievements, this fine book makes it strikingly clear why the wandering protagonist of the historical romance David Balfour has profound political links with Stevenson’s own troubled excursions in the South Pacific.”
Joseph Bristow, UCLA
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Why should Salman Rushdie describe his truth telling as an act of swallowing impure “haram” flesh from which the blood has not been drained? Why should Rudyard Kipling cast Kim, the imperial child–agent, as a body/text written upon and damaged by empire? Why should E. M. Forster evoke through the Indian landscape the otherwise unspeakable racial or homosexual body in his writing?
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