“Fine Boys is the first African novel I know that takes us into the world of the children of IMF: those post–Berlin wall Africans, like myself, who came of age in the days of the Conditionalities, those imposed tools and policies that made our countries feral; the days that turned good people into beasts, the days that witnessed the great implosion and scattering of the middle classes of a whole continent. Fine Boys takes us deep into the lives of the notorious gangs that took over universities all over Nigeria in the 1990s and early this century. We saw our universities collapse, and we struggled to educate ourselves through very harsh times. It is a beautifully written novel, heartfelt, deeply knowledgeable, funny, a love story, a tragedy; an important book, a book of our times; a book for all Africans everywhere.”
Binyavanga Wainaina, author of One Day I Will Write about This Place: A Memoir
“In Fine Boys, Imasuen writes fearlessly and beautifully of friendship, love, loss, and betrayal. It is thought-provoking, perfectly paced, uniformly delightful, compassionate, full of humor, but also heartbreaking. Eghosa Imasuen has remarkable gifts.”
Chika Unigwe, author of On Black Sisters Street
“Eghosa Imasuen has written the biography of our generation (and this, I suspect, was his intention all along). Writing in glorious, vivid HD (and even complete with the nostalgic soundtrack of the time), he has exposed the foibles of a generation which, arguably, is one of the most scarred in postwar Nigeria. A generation which lost years of academic life to strikes…. A generation that remained blind to the irony of bravely protesting against the tyranny of military dictatorship while having no compunction about doing mindless violence to members of rival confras. A generation which cursed corrupt leaders and elders but cheated in exams. A generation which, incredibly, deludes itself still that it is better, nobler, than the rest. Fine Boys is not just our story—it’s our ode, diatribe, lamentation, and our what-the-hell-happened-to-us.”
Chimeka Garricks, author of Tomorrow Died Yesterday
"Eghosa Imasuen reaffirms his position as a talented and gifted storyteller. The prose transitions effortlessly, telling a story about friendship, family, and the Nigeria of the eighties and nineties. A definite must-read.
Jude Dibia, author of Blackbird and Unbridled
A coming-of-age tale told from the perspective of Nigeria’s Generation X, caught amid the throes of a nascent pro-democracy movement, demoralizing corruption, and campus violence.
Ewaen is a Nigerian teenager, bored at home in Warri and eager to flee from his parents’ unhappy marriage and incessant quarreling. When Ewaen is admitted to the University of Benin, he makes new friends who, like him, are excited about their newfound independence. They hang out in parking lots, trading gibes in pidgin and English and discovering the pleasures that freedom affords them. But when university strikes begin and ruthlessly violent confraternities unleash mayhem on their campus, Ewaen and his new friends must learn to adapt—or risk becoming the confras' next unwilling recruits.
In his trademark witty, colloquial style, critically acclaimed author Eghosa Imasuen presents everyday Nigerian life against the backdrop of the pro-democracy riots of the 1980s and 1990s, the lost hopes of June 12 (Nigeria’s Democracy Day), and the terror of the Abacha years. Fine Boys is a chronicle of time, not just in Nigeria, but also for its budding post-Biafran generation.
Eghosa Imasuen is the cofounder of Narrative Landscape Press, a publishing company based in Lagos. He studied medicine at the University of Benin and lives in Lagos with his wife and twin sons. More info →
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Bafana Kuzwayo is a young man with a weight on his shoulders. After flunking his law studies at the University of Cape Town, he returns home to Soweto, where he must decide how to break the news to his family. But before he can confess, he is greeted as a hero by family and friends. His uncle calls him “Advo,” short for Advocate, and his mother wastes no time recruiting him to solve their legal problems.
Welcome to Our Hillbrow is an exhilarating and disturbingride through the chaotic and hyper-real zone of Hillbrow—microcosm of all that is contradictory, alluring, and painful in the postapartheid South African psyche.
In the early 1980s, a pharmaceutical company administers an unethical drug trial to residents of the Niger Delta village of Kreektown. When children die as a result, the dominoes of language extinction and cultural collapse begin to topple. Nwokolo moves across time and continents to deliver a novel that speaks to urgent contemporary concerns.
Billy Kahora’s long-awaited debut collection includes stories that have appeared in Granta and McSweeney’s, and have been shortlisted for the Caine Prize for African Writing.
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