By Graham Hoppe
“Different from other works on Dollywood, Hoppe’s volume is neither a tour guide nor a Parton biography—readers looking for such will be disappointed. Instead, he deftly examines the culture of Appalachia, specifically in East Tennessee, how it fits in with the greater Southern story (or not), and how all of this together with Parton’s genuineness overflow into Dollywood, creating an attraction that makes thousands of people a year feel at home whether they are from the South or not.”
“More than just a book about an amusement park, or its celebrity sponsor, this slim volume covers a lot of ground.… [Gone Dollywood] is written in a very accessible style.…This book would be an excellent purchase for public and other libraries in Tennessee, and for anyone with an interest in Appalachia.”
“Hoppe’s profile of [Dollywood] is a quirky contribution to the lore and legend of Parton.”
The Weekly Standard
“Graham Hoppe’s Gone Dollywood places Dolly Parton’s theme park, persona, and career within a broader history of the collisions of fact and fantasy, folk and celebrity, and art and commerce that have buffeted the Tennessee mountains Dolly calls home. Like Parton herself, the book is disarmingly open and friendly on its surface, with an impressive core of smart and savvy.”
Jason Mellard, author of Progressive Country: How the 1970s Transformed the Texan in Popular Culture
Dolly Parton isn’t just a country music superstar. She has built an empire. At the heart of that empire is Dollywood, a 150-acre fantasy land that hosts three million people a year. Parton’s prodigious talent and incredible celebrity have allowed her to turn her hometown into one of the most popular tourist destinations in America. The crux of Dollywood’s allure is its precisely calibrated Appalachian image, itself drawn from Parton’s very real hardscrabble childhood in the mountains of east Tennessee.
What does Dollywood have to offer besides entertainment? What do we find if we take this remarkable place seriously? How does it both confirm and subvert outsiders’ expectations of Appalachia? What does it tell us about the modern South, and in turn what does that tell us about America at large? How is regional identity molded in service of commerce, and what is the interplay of race, gender, and class when that happens?
In Gone Dollywood, Graham Hoppe blends tourism studies, celebrity studies, cultural analysis, folklore, and the acute observations and personal reflections of longform journalism into an unforgettable interrogation of Southern and American identity.
Graham Hoppe writes about culture and history with a focus on food and music. He is a graduate of the folklore program at the University of North Carolina at Chapel Hill. Gone Dollywood is his first book. Raised in Indianapolis, Graham currently lives and works in Raleigh, North Carolina. More info →
Save 20% ($21.56)
US and Canada only
Availability and price vary according to vendor.
Permission to reprint
Permission to photocopy or include in a course pack via Copyright Clearance Center
Before Madonna and her many imitators, there was Anaïs Nin, the diarist, novelist, and provocateur. Jarczok reveals how Nin crafted her personae, which she rewrote and restyled to suit her needs, and how she occupied a singular space in 20th-century culture, as a literary figure, a voice of female sexual liberation, and a celebrity.
Women’s studies unites with Appalachian studies in Beyond Hill and Hollow, the first book to focus exclusively on studies of Appalachia’s women. Featuring the work of historians, linguists, sociologists, performance artists, literary critics, theater scholars, and others, the collection portrays the diverse cultures of Appalachian women.
In Beep, David Wanczyk illuminates the sport of blind baseball to show us a remarkable version of America’s pastime. With balls tricked out to squeal three times per second, and with bases that buzz, this game of baseball for the blind is both innovative and intense. And when the best beep baseball team in America, the Austin Blackhawks, takes on its international rival, Taiwan Homerun, no one’s thinking about disability.
In a fascinating work of religious history and cultural inquiry, Hatfield brings to life the true story of a nineteenth-century farmer-spiritualist, Jonathan Koons, whom thousands traveled to Ohio to see. As heirs to the second Great Awakening, he and his followers were part of a larger, uniquely American moment that still marks the culture today.