“Through extensive interviews with singers and musicians and archival materials that survived civil wars, this well-written, engaging, and innovative study filled with illustrations, informative footnotes, and an audio CD is an outstanding contribution to the literature of independence movements. Summing Up: Highly recommended.”
“If you’re a reluctant reader, do yourself a favour: buy a copy of this elegantly written and engaging book and listen to the fantastic CD included in the plastic sleeve at the back! Once you’ve swayed and shimmied to some of the greats, including Urbano de Castro, N’Gola Ritmos and Paulo Flores, you will be dying to know more. Moorman doesn’t simply provide translations – often in two languages – of her chosen tracks, she shares her meticulous research to tell the story of how Angolans in Luanda’s shanty towns used music to talk back to the colonisers. Her book is packed with information drawn from national radio archives and many extensive interviews with some of the country’s foremost musicians. An academic historian, Moorman is a clean writer who has produced a very compelling piece of work. I refer to Intonations as ‘my bible’.”
The I. B. Taurus Blog
“Marissa J. Moorman presents a fascinating social and cultural history of the relationship between Angolan culture and politics. Intonations deals with the subversive possibilities of popular music in Angola’s shantytowns during the struggle for independence…. The writing is fresh, clever, and the argument nuanced and layered….”
World of Music
“The book on the subject (of the role of music in the Angolan independence movement.)”
Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format.
Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensive interviews with musicians and those who attended performances in bars, community centers, and cinemas, Moorman explores the ways in which the urban poor imagined the nation.
The spread of radio technology and the establishment of a recording industry in the early 1970s reterritorialized an urban-produced sound and cultural ethos by transporting music throughout the country. When the formerly exiled independent movements returned to Angola in 1975, they found a population receptive to their nationalist message but with different expectations about the promises of independence. In producing and consuming music, Angolans formed a new image of independence and nationalist politics.
Marissa J. Moorman is a professor in the Department of African Cultural Studies at the University of Wisconsin-Madison. She is the author of Intonations: A Social History of Music and Nation in Luanda, Angola, 1945 to Recent Times. She is on the editorial board of Africa Is a Country, where she regularly writes about politics and culture. More info →
Save 20% ($26.36)
Save 20% ($64)
US and Canada only
Availability and price vary according to vendor.
Permission to reprint
Permission to photocopy or include in a course pack via Copyright Clearance Center
Click or tap on a subject heading to sign up to be notified when new related books come out.
Paperback with audio CD
Retail price: $32.95, S.
Release date: October 2008
320 pages · 6 × 9 in.
Hardcover with audio CD
Retail price: $80.00, S.
Release date: October 2008
320 pages · 6 × 9 in.
Release date: October 2008
“Intonations makes a significant contribution to our understanding of how Angola became what it is today, and it also makes a serious case for why popular music is political in surprising and unsettling ways.”
African Studies Review
“The writing is fresh, tight, clever. The argument is nuanced and layered. It’s analytical but also deeply personal. Intonations is a provocative and compelling book.”
Anne Pitcher, author of Transforming Mozambique: The Politics of Privatization, 1975–2000
“This engaging and provocative study places urban Angolans at the center of the freedom movement narrative by exploring the emergence of the semba music scene in the musseques or shantytowns of Luanda…. the CD alone is worth the cover price.”
Oral History Review
“Marissa Moorman convincingly demonstrates that culture not only reflected, but was also constitutive of national identity. She shows that ordinary folks and non-political elites played as big a part in the construction of independent Angola as those involved in the liberation struggle.…All in all, the book is clearly structured, conscientiously produced, and provides true reading pleasure.”
Africa: Journal of the IAI
“(Intonations) provides a precious glimpse of the golden age of Angolan music. That age, which was crucial for the formation of modern Angola, was characterized by a vigorous expansion of the urban fabric, a notable cultural dynamic, and the formation of a unique consciousness which manifested itself in the Angolan music of which Marissa Moorman gives such a rich and detailed account.”
“(Moorman) delves into the musical activities in the urban clubs during the 15 years preceding independence. It is on these activities that Moorman bases her case for a kind of movement towards nation building that was parallel but fundamentally distinct to the armed guerrilla struggle.”
“Moorman evokes the emergence and intense life of Luanda's late colonial music scene with welcome depth, passion, and precision.”
American Historical Review
“Moorman’s elegantly written history makes a significant contribution to our understanding of Angolan music, history, and nationalism.… The book will appeal especially to students in African studies, African history, colonial and postcolonial studies, and ethnomusicology, but the writing makes Intonations accessible to audiences outside these specialties.”
Kelly Askew, author of Performing the Nation: Swahili Music and Cultural Politics in Tanzania
The Komedie Stamboel
Popular Theater in Colonial Indonesia, 1891–1903
By Matthew Isaac Cohen
Originating in 1891 in the port city of Surabaya, the Komedie Stamboel, or Istanbul-style theater, toured colonial Indonesia, Singapore, and Malaysia by rail and steamship. The company performed musical versions of the Arabian Nights and European fairy tales and operas such as Sleeping Beauty and Aida, as well as Indian and Persian romances, Southeast Asian chronicles, true crime stories, and political allegories.
History · World and Comparative History · Asian History · Theater - History and Criticism · Colonialism and Decolonization · Asian Studies · Literature
In Step with the Times
Mapiko Masquerades of Mozambique
By Paolo Israel
The helmet-shaped mapiko masks of Mozamxadbique have garnered admiration from African art scholars and collectors alike, due to their striking aesthetics and their grotesque allure. This book restores to mapiko its historic and artistic context, charting in detail the transformations of this masquerading tradition throughout the twentieth century.Based
African History · Anthropology · African Studies · Mozambique
Gongs and Pop Songs
Sounding Minangkabau in Indonesia
By Jennifer A. Fraser
Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago. Jennifer A. Fraser counters this tendency by exploring a little-known gong tradition from Sumatra called talempong, long associated with people who identify themselves as Minangkabau.Grounded
Ethnomusicology · Anthropology · Indonesia · Southeast Asian Studies
Nation on Board
Becoming Nigerian at Sea
By Lynn Schler
Schler’s study of Nigerian seamen during Nigeria’s transition to independence provides a fresh perspective on the meaning of decolonization for ordinary Africans. She traces the workers’ shift from optimism to disillusionment, providing a working-class perspective on nation building in Nigeria and illustrating the hopes for independence and subsequent disappointments.
History | Maritime History & Piracy · Labor History · Nigeria · African Studies · History | Africa | West
Sign up to be notified when new African Studies titles come out.
We will only use your email address to notify you of new titles in the subject area(s) you follow. We will never share your information with third parties.