In Lord of a Visible World, the editors have amassed and arranged the letters of this prolific writer into the story of his life. The volume traces Lovecraft's upbringing in Providence, Rhode Island, his involvement with the pulp magazine Weird Tales, his short-lived marriage, and his later status as the preeminent man of letters in his field.
In addition to conveying the candid details of his life, the volume also traces the evolution of his wide-ranging opinions. Lovecraft shows himself to be deeply engaged in the social, political, and cultural milieu of his time.
The editors, two of the leading Lovecraft scholars, have meticulously edited the text, transcribing the letters from manuscript sources and supplying explanatory annotations throughout. Lord of a Visible World is of interest to both the general reader and the scholar, presenting for the first time a well-rounded portrait, in his own words, of a writer whose work has fascinated millions of readers.
H. P. Lovecraft (1890-1937) has achieved renown as the leading author of supernatural fiction in the twentieth century. His novels have been translated into a dozen languages, and his work has inspired many contemporary authors in the fields of horror and science fiction, including Stephen King, Peter Straub, Ramsey Campbell, and Philip K. Dick. More info →
S. T. Joshi has edited several collections of Mencken’s writings, including H. L. Mencken on American Literature, Mencken’s America, and Mencken on Mencken: A New Collection of Autobiographical Writings. He is also an authority on literature of the supernatural and author of The Weird Tale, Unutterable Horror: A History of Supernatural Fiction, and other critical and biographical studies. More info →
David E. Schultz is a technical editor for an environmental engineering firm in Milwaukee and has prepared several editions of works by Lovecraft and Ambrose Bierce. More info →
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Widely regarded as Barrett Browning’s major work, Aurora Leigh is important both for its address to contemporary social issues, the “woman question” in particular, and for its bold experimentation with poetic form. Since 1979 it has held its place in the canon as “the feminist poem” (Ellen Moers), yet, until now, no reliable edition of the work has been available.
Ghanaian novelist, essayist, and short-story writer Ayi Kwei Armah has won international recognition as one of Africa’s most articulate writers. In this book, Ode Ogede argues that previous critics have misinterpreted the aesthetic and literary influences that have shaped Armah’s artistic vision and overlooked his most significant and valuable contribution to the problems of writing “outside the prison-house of conventional English.”
The second edition of To Kill a Man’s Pride builds on the success of the previous edition of this anthology of South African short stories by retaining most of stories, but also featuring more women writers and new male voice, to make it more representative. The milieu remains unambiguously South African, with some stories set in rural areas such as the village, farm or dorp, and others in urban centers such as the big city, suburb or township.