Edited by Jason David Hall
“Hall’s edited collection is…alive to the latest scholarship, and full of excitingly experimental research.”
“This outstanding collection traces the heated debates over the meaning and practice of metrical forms in 19th-century England (and to a lesser extent in the US).... The essays are uniformly excellent.... The book requires too much expertise for undergraduates, but will be required reading for poetry specialists. Summing Up: Highly recommended.”
“These ambitious and richly varied essays bring a new and vital energy to Victorian poetry studies and literary study more generally. Arguing, on the one hand, for a thoroughly historicized poetics and, on the other, for fresh theoretical attention to prosodic effects, the volume makes a convincing case: meter does indeed matter.”
Catherine Robson, New York University
Across the nineteenth century, meter mattered—in more ways and to more people than we might well appreciate today. For the period’s poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and pupils encountered meter and related topics in both institutional and popular forms.
The ten essays in Meter Matters showcase the range of metrical practice of poets from Wordsworth and Byron to Hopkins, Swinburne, and Tennyson; at the same time, the contributors bring into focus some of the metrical theorizing that shaped poetic thinking and responses to it throughout the nineteenth century. Paying close attention to the historical contours of Romantic and Victorian meters, as well as to the minute workings of the verse line, Meter Matters presents a fresh perspective on a subject that figured significantly in the century’s literature, and in its culture.
Jason David Hall is a senior lecturer in English at the University of Exeter, UK. He is the author of Seamus Heaney’s Rhythmic Contract and editor, with Ashby Bland Crowder, of Seamus Heaney: Poet, Critic, Translator. More info →
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Perfect for the general reader of poetry, students and teachers of literature, and aspiring poets, All the Fun’s in How You Say a Thing is a lively and comprehensive study of versification by one of our best contemporary practitioners of traditional poetic forms.
With its compact but inclusive survey of more than four centuries of poetry, Blank Verse is filled with practical advice for poets of our own day who may wish to attempt the form or enhance their mastery of it. Enriched with numerous examples, Shaw’s discussions of verse technique are lively and accessible, inviting to all.
The career of Matthew Arnold as an eminent poet and the preeminent critic of his generation constitutes a remarkable historical spectacle orchestrated by a host of powerful Victorian cultural institutions.The Cultural Production of Matthew Arnold investigates these constructions by situating Arnold’s poetry in a number of contexts that partially shaped it.
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