“This is an outstanding book. Moorman, already the author of a superb and influential social history of Angolan music, writes the definitive work on Angolan radio during the colonial and post-independence periods. It not only unearths new knowledge about Angolan history, but places Angolan developments in the wider canvas of the Cold war. That Moorman has achieved this through a book that is elegantly written and compellingly argued are but two of its many qualities. This will be a must read not only to those focused on modern Africa, but to anyone interested in the workings of state propaganda and the global Cold War.”
Ricardo Soares de Oliveira, University of Oxford
“Moorman’s incisive study argues that the medium of radio is central to the history of human actors, political movements, wars, as well as the struggle for and the exercise of power in southern Africa. Yet radio has not heretofore been an object of systematic analysis in connection to Angola. Following her groundbreaking Intonations, Moorman once again proves herself to be one of the leading scholars on this key southern African nation.”
Fernando Arenas, author of Lusophone Africa: Beyond Independence
“A gripping modern history of Angola that engages recent work reconfiguring the place of technology in everyday folks’ ability to experience, make, and make sense of politics as well as the place of the state in the history of settler colonialism, national liberation, decolonization, the Cold War, and postcolonial governance in the wider region.”
Kathryn M. de Luna, American Historical Review
“Marissa Moorman’s new book aptly captures the multiple dimensions of the enduring power of radio in mediating different historical moments in Angola. It is an excellent book that draws on multiple texts to narrate the role of radio both in Angola’s independence struggle and in the post-war of era of nation building.”
Dumisani Moyo, author of Radio in Africa: Publics, Cultures, Communities
Powerful Frequencies details the central role that radio technology and broadcasting played in the formation of colonial Portuguese Southern Africa and the postcolonial nation-state, Angola. In Intonations, Marissa J. Moorman examined the crucial relationship between music and Angolan independence during the 1960s and ’70s. Now, Moorman turns to the history of Angolan radio as an instrument for Portuguese settlers, the colonial state, African nationalists, and the postcolonial state. They all used radio to project power, while the latter employed it to challenge empire.
From the 1930s introduction of radio by settlers, to the clandestine broadcasts of guerrilla groups, to radio’s use in the Portuguese counterinsurgency strategy during the Cold War era and in developing the independent state’s national and regional voice, Powerful Frequencies narrates a history of canny listeners, committed professionals, and dissenting political movements. All of these employed radio’s peculiarities—invisibility, ephemerality, and its material effects—to transgress social, political, “physical,” and intellectual borders. Powerful Frequencies follows radio’s traces in film, literature, and music to illustrate how the technology’s sonic power—even when it made some listeners anxious and frightened—created and transformed the late colonial and independent Angolan soundscape.
Marissa J. Moorman is a professor in the Department of African Cultural Studies at the University of Wisconsin-Madison. She is the author of Intonations: A Social History of Music and Nation in Luanda, Angola, 1945 to Recent Times. She is on the editorial board of Africa Is a Country, where she regularly writes about politics and culture. More info →
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Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format.Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics.
Until they were banned in 2009, the radio debates called Ugandan People’s Parliaments gave common folk a forum to air their views. But how do people talk about politics in an authoritarian regime? The forms and parameters of such speech turn out to be more complex than a simple confrontation between an oppressive state and a liberal civil society.
Reel Pleasures brings the world of African moviehouses and the publics they engendered to life, revealing how local fans creatively reworked global media—from Indian melodrama to Italian westerns, kung fu, and blaxploitation films—to speak to local dreams and desires.
Diamonds in the Rough explores the lives of African laborers on Angola’s diamond mines from the commencement of operations in 1917 to the colony’s independence from Portugal in 1975. The mines were owned and operated by the Diamond Company of Angola, or Diamang, which enjoyed exclusive mining and labor concessions granted by the colonial government. Through these monopolies, the company became the most profitable enterprise in Portugal’s African empire.
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