By Billy Kahora
“Billy Kahora is a painter with words. He makes the reader see and touch and smell and feel characters and their inner turmoil as they try to survive, against the challenges of nature and nurture.”
Ngũgĩ wa Thiong’o
“Billy Kahora’s stories immerse us in a surreal, heady, wry, often beautiful, sometimes brutal, always surprising world. This is a millennial Kenya we’ve never seen in fiction before: drunks and zealots, farmers and whistleblowers, locals and migrants, mothers and brothers, the rich and the poor and those who slip in between. This prismatic picture of Kenyans—especially their class politics—feels startlingly precise: yes, this is exactly how people talk and hustle and love and falter. A wondrous collection.”
Namwali Serpell, author of The Old Drift
“Insightful stories that reflect on the ramifications of falling from the Kenyan middle class. The loss of its certainties and pretensions leaves Billy Kahora’s young men and women adrift. Their fathers who once commanded and never explained, either desert home or become powerless shadows. Mothers become mentally ill or take comfort in religion or drink but they hang on to maintain the semblance of home. These stories capture the hopes and failures of a particular place and time with skill, insight and an unapologetic, urban Kenyanness of expression.”
Muthoni Garland, author of Tracking the Scent of My Mother
“Kahora’s stories follow the Kenyan middle-class man as his mental health fails, as he leaves the country to pursue the academic ambitions that a collapsing public education system can no longer accommodate, and as he navigates desire and sex in a neoliberal state where everything can be a commodity, including marriage…. Kahora, unlike Ngugi, does not see tradition or a return to the ethnic as a way to salvation. He sees unqualified or uninterrogated allegiance to tradition, even the traditions that we build for ourselves in the city, as a sort of prison that the protagonist must be wary of.”
Each of the realistic worlds Billy Kahora brings us in the short stories and novella that make up The Cape Cod Bicycle War and Other Stories explores the tensions and transitions of characters moving between youthful folly and a precarious adulthood. In the title story, immigrant workers with varying ambitions work at a Wendy’s in wintry Cape Cod. Sharing one house, they must also share, or rather compete for, bicycles—crucial transportation—which are in short supply.
In other stories, a young man caught between a broken family and political violence befriends an aged gorilla in a Nairobi zoo; a pastor struggles to come to terms with the arrest of his brother, who is suspected of terrorism; and a dissolute bank employee on a serious bender returns to work to face a review board.
The Cape Cod Bicycle War and Other Stories is Billy Kahora’s long-awaited debut collection. Stories in this volume have appeared in Granta and McSweeney’s and have been shortlisted for the Caine Prize for African Writing.
Billy Kahora teaches creative writing at the University of Bristol and is the former managing editor at Kwani?. His work has appeared in a number of international publications. More info →
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