“This authoritatively, often handsomely written set of essays reflects several decades’ analytic rumination on Arnold the man and the writer—the figure who made himself by poetry and then, decisively, by essayistic prose the leading Victorian influence on literary criticism as it was practiced and discussed in the twentieth-century Anglophone world.”
Herbert F. Tucker, author of Epic: Britain’s Heroic Muse, 1790–1910
“(A)n impressive analysis of a subtle, learned, and earnest thinker.”
“Antony H. Harrison’s new book on Matthew Arnold is significant because it apparently represents the culmination of his work on this Victorian poet and critic over the past two decades…. Harrison continues to employ a historicist cultural studies methodology, pointing to Pierre Bourdieu as an especially important influence…. .”
The career of Matthew Arnold as an eminent poet and the preeminent critic of his generation constitutes a remarkable historical spectacle orchestrated by a host of powerful Victorian cultural institutions.
The Cultural Production of Matthew Arnold investigates these constructions by situating Arnold’s poetry in a number of contexts that partially shaped it. Such analysis revises our understanding of the formation of the elite (and elitist) male literary-intellectual subject during the 1840s and 1850s, as Arnold attempts self-definition and strives simultaneously to move toward a position of ideological influence upon intellectual institutions that were contested sites of economic, social, and political power in his era.
Antony H. Harrison reopens discussion of selected works by Arnold in order to make visible some of their crucial sociohistorical, intertextual, and political components. Only by doing so can we ultimately view the cultural work of Arnold “steadily and … whole,” and in a fashion that actually eschews this mystifying premise of all Arnoldian inquiry which, by the early twentieth century, had become wholly naturalized in the academy as ideology.
Antony H. Harrison is Professor of English at North Carolina State University.
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Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism.
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