By Julian Silva
The Gunnysack Castle is principally the story of Vince Woods, and Anglicized Portuguese who rises from the ashes of his childhood dreams to become one of San Oriel’s wealthiest and most powerful citizens. A man of strong lusts and inflexible will, he attempts to manipulate the members of his family just as he does everyone else in the town who comes under his influence. The dynasty he longs to found ends in bitterness with his own demise.
Concurrent with his story is that of Belle Bettencourt, his equally willful, though touchingly powerless sister-in-law, whose open defiance of both family and convention ostracizes her from the community and leads her into a life as publicly scandalous as it is privately innocent.
Julian Silva’s family roots run deep in the San Francisco Bay area, having first been transplanted there from the Azores in the 1870s. He was born some four generations later in San Lorenzo, which has served loosely as the model for the fictional San Oriel. A study for the character of Belle Bettencourt was published by Cosmopolitan Magazine. Other stories have appeared in the University of Colorado’s Writer’s Forum number 6 and 7. More info →
This book is not available for desk, examination, or review copy requests.
Permission to reprint
Permission to photocopy or include in a course pack via Copyright Clearance Center
In 1906 a young, semiliterate Greek arrived in America with a fewdollars in his pocket and his people’s legacy of proverbs, superstitions, and cultural traits to guide him through the dangers and opportunities of a new world. The Time of the Little Black Bird begins with the story of this young man and his plan to build a future for his family as it makes its way in America.Told
The role of the telegraph operator in the mid-nineteenth century was like that of today’s software programmer/analyst, according to independent scholar Tom Jepsen, who notes that in the “cyberspace” of long ago, male operators were often surprised to learn that the “first-class man” on the other end of the wire was a woman.
This third novel in the three Cases of Circumstantial Evidence provides an intimate portrayal of deception and corruption in one small poor Parisian family in the late 1600s. In contrast to the majesty of the court of Louis XIV and the bloodthirsty crowds of Paris at that time, the simple lives of Jean Larcher and his wife and son are pitiably ruined by the presence of a seducer and his political pamphlets. The result: personal and public passions mesh to hang an innocent man.