A Swallow Press Book
A Swallow Press Book
“There’s never been a person, self-proclaimed artist or otherwise, whose reaction to seeing their first Sandy Plunkett art wasn’t ‘Oh my! Where can I see more?’ This book is an answer to all the years of our unified desire for a full helping of Sandy’s art.”
Michael Wm Kaluta, from the foreword
“The book is a delight, partly for the terrific drawings that spill through it, and partly for the narrative that reveals Plunkett’s engaging, self-effacing personality. He’s never quite sure he’s good enough, even while evidence of his talent is on the facing page…. Like all good journals, the book is a potpourri of ideas…. Grade: A”
CityBeat (Cincinnati)
“More than the artist sketchbook portfolios usually seen on the market, The World of a Wayward Comic Book Artist is an exploration of Sandy Plunkett’s creative process. Intuitively arranged, sketches flow one to another, linked by narratives taken from Plunkett’s sketchbooks, which often double as a journal.”
Kirkus Reviews
“Plunkett has generally shunned the spotlights, intent on driving his own path both in his personal life as well as in the creative worlds at large. (The World of a Wayward Comic Book Artist) is a finely packaged testament to the many suggestive roads traveled thus far by someone who apparently, fiercely, literally lives and breathes Art itself…. As complete as any life in progress, this book has left me so speechless as to be stretching for the words with which to express its impact.”
SP! Nexus
The World of a Wayward Comic Book Artist: The Private Sketchbooks of S. Plunkett is a fascinating look at the creative processes of Sandy Plunkett. A self-taught illustrator and comic book artist, Plunkett came of age in New York City during the ‘60s and ‘70s and began drawing for Marvel Comics at eighteen. Throughout his ongoing career he has drawn for several other major publishers, including DC.
Featuring nearly four hundred selections from sketchbooks kept over the past twenty years, this collection is an insightful examination of the difficulties and successes Plunkett has experienced in keeping his work alive and evolving. The drawings cover a wide range of styles and subject matter, though all are rooted in the visual vernacular of illustration, comic, and popular art of America, evincing influences as diverse as Thomas Hart Benton and R. Crumb. Images of creatures, both actual and imagined, fabulous characters, and dreamlike worlds are juxtaposed with studies from Plunkett’s life. The sketchbook images, along with a foreword by Michael Wm Kaluta and an updated interview of Plunkett by Comic Book Artist’s Tim Barnes, provide a fascinating insight into artistic process, debate, and fruition.
Sandy Plunkett’s career began in New York City drawing for DC and Marvel Comics. His trademark look can be seen on countless posters, album covers, and political cartoons. He lives in Athens, Ohio. More info →
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To request instructor exam/desk copies, email Jeff Kallet at kallet@ohio.edu.
To request media review copies, email Laura Andre at andrel@ohio.edu.
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Center
Paperback
978-0-8040-1125-9
Out-of-print
Hardcover
978-0-8040-1124-2
Retail price: $55.00,
S.
Release date: March 2010
224 pages
·
7 × 10 in.
Rights: World
“…an alluring mix of superheroes, fantasy figures, life drawing, experiments, and more. (Plunkett) also provides a few essays in order to put some of the work into context, and an interview conducted with Plunkett by COMIC BOOK ARTIST also enhances the book as well. If you’re looking to discover what kind of person draws comics, and perhaps why they draw comics, then this book will definitely aid in an exploration for answers. It’s nicely produced, smartly packaged, and full of enough eye candy to satisfy the sweetest of sweet tooths.”
Comics Waiting Room
“For graphic art fans, the book is a feast of Plunkett’s work—always recognizable as his own, but ranging over a wide stylistic territory. Some of it’s funny, some of it’s dark, and some of it’s just superb realistic sketching. Plunkett also happens to be a graceful and thoughtful writer, and his ruminations on what drives him to draw, what makes his art look the way it does, and his worries over whether he’ll ever be able to create anything really lasting, are far more than just filler between the pictures.”
The Athens NEWS
“At long last, the drought is over. All of us, and we are legion, who have for decades impatiently awaited that which we knew must exist—a vast trove of unseen Plunkett brilliance—have finally been amply rewarded. No longer must we settle for the glimpsed illustration here, or the occasional comics story there—now we finally have a worthy showcase for Sandy’s astounding array of talents and personal observations. It will take many happy viewings before the full scope of his stellar draftsmanship and stunning imagination sinks in. ”
Mark Schultz, creator of Xenozoic Tales
“I felt like I had been taken around beautiful Midwestern countryside in an old truck with a friend of a friend, someone who then showed me some of the best work kept on the shelf of a stand-alone studio with inexplicably great lighting…. Watching him struggle through certain issues is appealing on a human level that you sometimes don’t ever get to experience with artists that are more commercially viable….”
The Comics Reporter
“Sandy sure satisfies us in this wonderful new collection of his drawings. I’ve missed seeing his work for so many years, and this book is a very welcome entertainment. It’s a must have for anyone who appreciates comic art.”
Bob McLeod, Marvel and DC comic artist
“Sandy Plunkett’s figures always remind me of elegant statuary come to life. Every form is so beautifully sculpted and he has that rare gift for suggesting movement with his drawings. There’s a timeless quality to his work that never fails to give me a little jolt of envy and inspiration. I love his compositions, his rendering and all the emotion that he communicates with vivid facial expressions and carefully considered body language. I even envy his graceful signature. I’m thrilled to finally have a large collection of his drawings together under one cover.”
Kevin Nowlan, Harvey and Eisner Award winning artist of Jack B. Quick: Boy Inventor
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Foreword by William G. Gambill Jr.
A must for flower and art lovers, Born in the Spring is a unique collection of line drawings and magnificent watercolors of spring wildflowers with over 90 illustrations, 46 in full color. The text accompanying each plate enables the reader to easily locate the flower in its natural setting.
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In this book Anaïs Nin speaks with warmth and urgency on those themes which have always been closest to her: relationships, creativity, the struggle for wholeness, the unveiling of woman, the artist as magician, women reconstructing the world, moving from the dream outward, and experiencing our lives to the fullest possible extent.
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Edited by John Meigs
The cowboy—that lonely, quiet, hard-working, hard-playing, essentially honest, always masculine, rugged individual—has become the preeminent American myth. The graphics represented in this book are in large part responsible for the popularization and sometimes even the creation of the cowboy myth.
Out of the Woods
A Bird Watcher’s Year
By Ora E. Anderson
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Edited by Deborah Griffith
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Foreword by Jean Andrews
Out of the Woods: A Bird Watcher’s Year is a journey through the seasons and a joyous celebration of growing old. In fifty-nine essays and poems, Ora E. Anderson, birder, bird carver, naturalist, and nature writer, reveals the insights and recollections of a keen-eyed observer of nature, both human and avian.
