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Anaïs Nin

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Cover of 'Trapeze'

Trapeze
The Unexpurgated Diary of Anaïs Nin, 1947–1955
By Anaïs Nin
· Edited by Paul Herron
· Introduction by Benjamin Franklin V
· Preface by Paul Herron

Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin’s fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America.

Diaries and Journals · Women Authors · American Literature · Anaïs Nin

Cover of 'Waste of Timelessness and Other Early Stories'

Waste of Timelessness and Other Early Stories
By Anaïs Nin
· Introduction by Allison Pease
· Foreword by Gunther Stuhlmann

Written when Anaïs Nin was in her twenties and living in France, the stories collected in Waste of Timelessness contain many elements familiar to those who know her later work as well as revelatory, early clues to themes developed in those more mature stories and novels. Seeded with details remembered from childhood and from life in Paris, the wistful tales portray artists, writers, strangers who meet in the night, and above all, women and their desires.

Literary Fiction · Women Authors · American Literature · Anaïs Nin

Cover of 'Writing an Icon'

Writing an Icon
Celebrity Culture and the Invention of Anaïs Nin
By Anita Jarczok

Before Madonna and her many imitators, there was Anaïs Nin, the diarist, novelist, and provocateur. Jarczok reveals how Nin crafted her personae, which she rewrote and restyled to suit her needs, and how she occupied a singular space in 20th-century culture, as a literary figure, a voice of female sexual liberation, and a celebrity.

Literary Criticism, US · Women’s Studies · Literary Studies · Anaïs Nin

Cover of 'Winter of Artifice'

Winter of Artifice
Three Novelettes
By Anaïs Nin
· Introduction by Laura Frost

Swallow Press’s reissue of Winter of Artifice, with a new introduction by Laura Frost, presents an important opportunity to consider anew the work of Anaïs Nin who laid the groundwork for later writers, but whom critics frequently dismiss as solipsistic or overblown.

Literary Fiction · American Literature · Women Authors · Anaïs Nin

Cover of 'Ladders to Fire'

Ladders to Fire
By Anaïs Nin
· Introduction by Benjamin Franklin V
· Foreword by Gunther Stuhlmann

Anaïs Nin’s Ladders to Fire interweaves the stories of several women, each emotionally inhibited in her own way: through self-doubt, fear, guilt, moral drift, and distrust. The novel follows their inner struggles to overcome these barriers to happiness and wholeness. The author’s own experiences, as recorded in her famous diaries, supplied the raw material for her fiction. It was her intuitive, experimental, and always original style that transformed one into the other.

Women Authors · Literary Fiction · Anaïs Nin

Cover of 'The Novel of the Future'

The Novel of the Future
By Anaïs Nin
· Introduction by Deirdre Bair

In The Novel of the Future, Anaïs Nin explores the act of creation — in film, art, and dance as well as literature — to chart a new direction for the young artist struggling against what she perceived as the sterility, formlessness, and spiritual bankruptcy afflicting much of mid-twentieth-century fiction.

Literary Criticism · American Literature · Anaïs Nin · Creative Nonfiction · Literary Studies

Cover of 'Seduction of the Minotaur'

Seduction of the Minotaur
By Anaïs Nin
· Introduction by Anita Jarczok

“Some voyages have their inception in the blueprint of a dream, some in the urgency of contradicting a dream. Lillian’s recurrent dream of a ship that could not reach the water, that sailed laboriously, pushed by her with great effort, through city streets, had determined her course toward the sea, as if she would give this ship, once and for all, its proper sea bed…. With her first swallow of air she inhaled a drug of forgetfulness well known to adventurers.”

Anaïs Nin · Fiction

Cover of 'Under a Glass Bell'

Under a Glass Bell
By Anaïs Nin
· Introduction by Elizabeth Podnieks

Although Under a Glass Bell is now considered one of Anaïs Nin’s finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler. Shortly thereafter, it caught the attention of literary critic Edmund Wilson, who reviewed the collection in the New Yorker.

Anaïs Nin · American Literature · Fiction

Cover of 'Mirages'

Mirages
The Unexpurgated Diary of Anaïs Nin, 1939–1947
By Anaïs Nin
· Edited by Paul Herron
· Introduction by Kim Krizan
· Preface by Paul Herron

Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love.

Diaries and Journals · Anaïs Nin · Literary Studies

Cover of 'A Spy in the House of Love'

A Spy in the House of Love
By Anaïs Nin
· Introduction by Anita Jarczok

Although Anaïs Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic “distillations” of her secret diaries.

Literary Fiction · American Literature · Women Authors · Anaïs Nin · Literary Studies

Cover of 'Arrows of Longing'

Arrows of Longing
The Correspondence between Anaïs Nin and Felix Pollak, 1952–1976
By Gregory H. Mason

In the winter of 1951-52, Anaïs Nin was a writer in despair. More than a dozen publishing houses had rejected her new novel, A Spy in the House of Love, and Nin became desperate for literary acceptance. Encouragement came from an unexpected source. Felix Pollak, an Austrian emigré and Rare Book Librarian at Northwestern University, had been entrusted with the task of acquiring some of Nin's manuscripts for the library.

Gender Studies · Literary Studies · Biography · American Literature · Women’s Studies · Letters

Cover of 'Recollections of Anaïs Nin'

Recollections of Anaïs Nin
By Her Contemporaries
Edited by Benjamin Franklin V

Recollections of Anaïs Nin presents Nin through the eyes of twenty-six people who knew her. She is the unconventional, distant aunt; the thoughtful friend; the owner of a strangely disarming voice; the author eager for attention yet hypersensitive to criticism; the generous advisor to a literary magazine; the adulteress; the beautiful septuagenarian; the recommender of books—the contributors elaborate on thses and many other perceptions of Nin.

Gender Studies · Literary Studies · Biography · American Literature · Women’s Studies

Cover of 'Cities of the Interior'

Cities of the Interior
By Anaïs Nin

Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love, Seduction of the Minotaur. Haunting and hypnotic, these five novels by Anaïs Nin began in 1946 to appear in quiet succession. Though published separately over the next fifteen years, the five were conceived as a continuous experience—a continuous novel like Proust's, real and flowing as a river.

Fiction · American Literature · Literary Studies

Cover of 'Waste of Timelessness and Other Early Stories'

Waste of Timelessness and Other Early Stories
By Anaïs Nin

These stories precede all of Nin's published work to date. In them are many sources of the more mature work that collectors and growing writers can appreciate.

Literary Studies · Fiction · Anaïs Nin · American Literature

Cover of 'Novel of the Future'

Novel of the Future
By Anaïs Nin

In The Novel of the Future, Anaïs Nin explores the act of creation—in literature, film, art, and dance—to arrive at a new synthesis for the young artist struggling against the sterility, formlessness, and spiritual bankruptcy afflicting much of modern fiction.

Literary Studies · Anaïs Nin · American Literature · Literary Criticism

Authors, Editors, and other Contributors

Bettina L. Knapp

Bettina L. Knapp is a professor of Romance Languages and Comparative Literature at the Graduate Center and Hunter College of CUNY.…

Benjamin Franklin V

Benjamin Franklin V is Professor of English at the University of South Carolina.…

Paul Herron

Paul Herron is the founder and editor of Sky Blue Press, which publishes the journal A Café in Space and digital editions of the fiction of Anaïs Nin, as well as a new collection of Nin erotica, Auletris.…

Deirdre Bair

Deirdre Bair is author of Anaïs Nin: A Biography and the National Book Award-winning Samuel Beckett: A Biography.…