In focusing on rural Kenyans as they actively sought access to aid, Moskowitz offers new insights into the texture of political life in the decolonizing and early postcolonial world. Her account complicates our understanding of Kenyan experiences of independence, and the meaning and form of development.
In this finely textured social and intellectual history of gender and nation-making, Byfield captures the dynamism of women’s political activism in postwar Nigeria. She illuminates the centrality of gender to the study of nationalism, thus offering new lines of inquiry into the late colonial era and its consequences for the future Nigerian state.
Africa Every Day is a multidisciplinary and accessible counterpoint to the prevailing emphasis on war, poverty, corruption, and other challenges on the continent. Essays address creative and dynamic elements of daily life without romanticizing them, showing that African leisure and popular culture are the product of dynamism and adaptation.
Situating sleeping sickness control within African intellectual worlds and political dynamics, Webel prioritizes local histories to understand the successes and failures of a widely used colonial public health intervention—the sleeping sickness camp—in dialogue with African strategies to mitigate illness and death in the past.
In 1871, journalist Henry M. Stanley embarked on a search for the famous explorer Dr. David Livingstone. In 1872, Stanley returned with the story of how he had found Livingstone near Lake Tanganyika, restored his health, and resupplied his expedition. This collection of unpublished documents reveals how Stanley shaped the account of his journey.
Radio technology and broadcasting played a central role in the formation of colonial Portuguese Southern Africa and the postcolonial nation-state, Angola. Moorman details how settlers, the colonial state, African nationalists, and the postcolonial state all used radio to project power, while the latter employed it to challenge empire.
Age of Concrete is about people building homes on tenuous ground in the outer neighborhoods of Maputo, Mozambique, places thought of simply as slums. But up close, they are an archive: houses of reeds, wood, zinc, and concrete embodying the ambitions of people who built their own largest investment and greatest bequest to the future.
In Converging on Cannibals, Jared Staller demonstrates that one of the most terrifying discourses used during the era of transatlantic slaving—cannibalism—was coproduced by Europeans and Africans. When these people from vastly different cultures first came into contact, they shared a fear of potential cannibals. Some Africans and European slavers allowed these rumors of themselves as man-eaters to stand unchallenged.
In Children of Hope, Sandra Rowoldt Shell details the life histories of sixty-four Oromo children who were enslaved in Ethiopia in the late nineteenth century, liberated by the British navy, and ultimately sent to a Free Church of Scotland mission in South Africa, where their stories were recorded through a series of interviews.
Staging the Amistad collects for the first time plays about the Amistad slave revolt by three of Sierra Leone’s most influential playwrights of the latter decades of the 20th century. Written and staged before and after the start of Sierra Leone’s decade-long conflict, they brought the Amistad rebellion to public consciousness.
In locating her arguments at the intersection of visual culture and literary and performance studies, Giorgis details how innovations in visual art intersected with shifts in narratives of modernity. The result is a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.