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Ohio University Press · Swallow Press · www.ohioswallow.com

American Literature

American Literature Book List

Winner of the 2002 Hollis Summers Poetry Prize
Cover of 'Solving for X'

Solving for X
Poems
By Robert B. Shaw

In Solving for X, his award-winning collection of new poems, Robert B. Shaw probes the familiar and encounters the unexpected; in the apparently random he discerns a hidden order. Throughout, Shaw ponders the human frailties and strengths that continue to characterize us, with glances at the stresses of these millennial times that now test our mettle and jar our complacency. Often touched with humor, his perceptions are grounded in devoted observation of the changing world.As

Cover of 'Updike in Cincinnati'

Updike in Cincinnati
A Literary Performance
Edited by James Schiff
· Photography by Jon Hughes

For two spring days in 2001, John Updike visited Cincinnati, Ohio, engaging and charming his audiences, reading from his fiction, fielding questions, sitting for an interview, participating in a panel discussion, and touring the Queen City.Successful writers typically spend a portion of their lives traveling the country to give readings and lectures.

Winner of the Ohioana Library’s 2008 Ohio Legacy Citation · 2014-2015 Choose to Read Ohio selection
Cover of 'Good Roots'

Good Roots
Writers Reflect on Growing Up in Ohio
Edited by Lisa Watts
· Foreword by R. L. Stine
· Afterword by Mark Winegardner

“A good place to be from.” That’s how some people might characterize the Buckeye State. The writings in Good Roots: Writers Reflect on Growing Up in Ohio, are testimony to the truth of that statement. By prominent writers such as P. J. O’Rourke, Susan Orlean, and Alix Kates Shulman, these contributions are alternately nostalgic, irreverent, and sincere, and offer us a personal sense of place. Their childhoods are as varied as their work.

Cover of 'Testaments'

Testaments
Two Novellas of Emigration and Exile
By Danuta Mostwin

Polish émigrés have written poignantly about the pain of exile in letters, diaries, and essays; others, more recently, have recreated Polish-American communities in works of fiction. But it is Danuta Mostwin’s fiction, until now unavailable in English translation, that bridges the divide between Poland and America, exile and emigration.Mostwin and her husband survived the ravages of World War II, traveled to Britain, and then emigrated to the United States.

Cover of 'A Poet’s Prose'

A Poet’s Prose
Selected Writings of Louise Bogan
By Louise Bogan
· Edited by Mary Kinzie

Although best known as a master of the formal lyric poem, Louise Bogan (1897–1970) also published fiction and what would now be called lyrical essays. A Poet’s Prose: Selected Writings of Louise Bogan showcases her devotion to compression, eloquence, and sharp truths.Louise Bogan was poetry reviewer for the New Yorker for thirty-eight years, and her criticism was remarkable for its range and effect.

Cover of 'The Secret of the Hardy Boys'

The Secret of the Hardy Boys
Leslie McFarlane and the Stratemeyer Syndicate
By Marilyn S. Greenwald

The author of the Hardy Boys Mysteries was, as millions of readers know, Franklin W. Dixon. Except there never was a Franklin W. Dixon. He was the creation of Edward Stratemeyer, the savvy founder of a children’s book empire that also published the Tom Swift, Bobbsey Twins, and Nancy Drew series.The

Winner of the 2003 Hollis Summers Poetry Prize.
Cover of 'The Quarry'

The Quarry
Poems
By Dan Lechay

Once or twice in a generation a poet comes along who captures the essential spirit of the American Midwest and gives name to the peculiar nature that persists there. Like James Wright, Robert Bly, Ted Kooser, and Jared Carter before him, Dan Lechay reshapes our imagination to include his distinct and profound vision of this undersung region.The

Cover of 'Mencken’s America'

Mencken’s America
H. L. Mencken
Edited by S. T. Joshi

Long famous as a political, social, and cultural gadfly, journalist and essayist H. L. Mencken was unafraid to speak his mind on controversial topics and to express his views in a deliberately provocative manner.Mencken was prolific; much of his best work lies buried in the newspapers and magazines in which it originally appeared. Mencken’s America is a sampling of this uncollected work, arranged to present the wide-ranging treatise on American culture that Mencken himself never wrote.

Cover of 'In the Work of Their Hands Is Their Prayer'

In the Work of Their Hands Is Their Prayer
Cultural Narrative and Redemption on the American Frontiers, 1830-1930
By Joel Daehnke

Westward expansion on the North American continent by European settlers generated a flurry of writings on the frontier experience over the course of a hundred years.

Cover of 'The Tangled Roots of Feminism, Environmentalism, and Appalachian Literature'

The Tangled Roots of Feminism, Environmentalism, and Appalachian Literature
By Elizabeth S. D. Engelhardt

Contemporaries were shocked when author Mary Noailles Murfree revealed she was a woman, but modern readers may be more surprised by her cogent discussion of community responses to unwanted development. Effie Waller Smith, an African American woman writing of her love for the Appalachian mountains, wove discussions of women’s rights, racial tension, and cultural difference into her Appalachian poetry.

Cover of 'One-Smoke Stories'

One-Smoke Stories
By Mary Austin
· Edited by Noreen Groover Lape

One-Smoke Stories is a collection of folk tales from Native American, Spanish Colonial, mestizo, and European American peoples of the Southwest retold in the enthralling words of one of the bestselling writers of her day, Mary Austin. One-Smoke Stories introduces us to a multicultural treasury of character types: lovers, hunters, bandits, shepherds, miners, ranchers, homesteaders, missionaries, government offcials, and supernatural beings.Through

Cover of 'One Unblinking Eye'

One Unblinking Eye
Poems
By Norman Williams

The poems in One Unblinking Eye cast a steady and serious gaze at life outside the beltways. Whether testifying at a prayer meeting in Indiana, tramping the backwoods of northern New England, or working on an oil derrick in the Gulf, the inhabitants of these poems live on the margins of society. “They are the left-behind, odd-manneredones/Who speak in starts,” Norman Williams writes of the last residents of a West Virginia mining town.

Cover of 'Guest Appearances and Other Travels in Time and Space'

Guest Appearances and Other Travels in Time and Space
By Peter I. Rose

Peter Rose has spent a lifetime exploring patterns of culture, examining issues of race and ethnicity, working with refugees, teaching sociology, and roaming the world. In Guest Appearances and Other Travels in Time and Space, he reflects on his adventures and the formative experiences that led him to a fascination with lives that seem quite unlike our own.Guest

Cover of 'John Reed and the Writing of Revolution'

John Reed and the Writing of Revolution
By Daniel W. Lehman

John Reed (1887-1920) is best known as the author of Ten Days That Shook the World and as champion of the communist movement in the United States. Still, Reed remains a writer almost systematically ignored by the literary critical establishment, even if alternately vilified and lionized by historians and by films like Warren Beatty’s Reds.John

Winner of the 2002 Hollis Summers Poetry Prize
Cover of 'Solving for X'

Solving for X
Poems
By Robert B. Shaw

In Solving for X, his award-winning collection of new poems, Robert B. Shaw probes the familiar and encounters the unexpected; in the apparently random he discerns a hidden order. Throughout, Shaw ponders the human frailties and strengths that continue to characterize us, with glances at the stresses of these millennial times that now test our mettle and jar our complacency. Often touched with humor, his perceptions are grounded in devoted observation of the changing world.As

Cover of 'The Apple Falls from the Apple Tree'

The Apple Falls from the Apple Tree
Stories
By Helen Papanikolas

The title of Helen Papanikolas’ second collection of short stories, The Apple Falls from the Apple Tree, is taken from an old Greek proverb and speaks of the new generation’s struggle with the vestiges of Greek customs. Gone are the raw, overt emotions of the pioneers, their bold prejudices, and, especially, the haunting black fatalism of funerals. Yet their children retain much of their parents’ culture.

Cover of 'Pure Waters'

Pure Waters
Frank Waters and the Quest for the Cosmic
By Frank Waters
· Edited by Barbara Waters
· Foreword by Alexander Blackburn

The novels and nonfiction work of writer Frank Waters stand as a monument to his genius and to his lifetime quest to plumb the spiritual depths that he found for himself in the landscape and people of his beloved Southwest. In a career spanning more than half a century, he shared, through his many books, his insights and discoveries with countless readers across the globe.Now,

Cover of 'H. L. Mencken on American Literature'

H. L. Mencken on American Literature
By H. L. Mencken
· Edited by S. T. Joshi

H. L. Mencken was one of the leading literary, social, and cultural critics of the 1910s, ’20s, and ’30s. However, very few of his literary reviews have been reprinted in any form prior to their appearance in this volume.H. L. Mencken on American Literature presents a comprehensive selection of Mencken’s reviews of the leading American writers of his time.

Cover of 'The Handywoman Stories'

The Handywoman Stories
By Lenore McComas Coberly

Lenore McComas Coberly has woven together a bittersweet community of strong Appalachian women and men in this remarkable collection. Moving and joyful, these stories are made from the stuff of life.

Cover of 'Edmund Wilson, the Man in Letters'

Edmund Wilson, the Man in Letters
By Edmund Wilson
· Edited by David Castronovo and Janet Groth

Among the major writers of the Hemingway and Fitzgerald generation, Edmund Wilson defied categorization. He wrote essays, stories and novels, cultural criticism, and contemporary chronicles, as well as journals and thousands of letters about the literary life and his own private world. Here for the first time in print is Wilson’s personal correspondence to his parents, lovers and wives, children, literary comrades, and friends from the different corners of his life.

Cover of 'The Man Who Created Paradise'

The Man Who Created Paradise
A Fable
By Gene Logsdon
· Foreword by Wendell Berry
· Photography by Gregory Spaid

The Man Who Created Paradise, a fable inspired by a true story, tells how young Wally Spero looked at one of the bleakest places in America—the strip-mined spoil banks of southeastern Ohio—and saw in it his escape from the drudgery of his factory job.

Cover of 'Lord of a Visible World'

Lord of a Visible World
An Autobiography in Letters
By H. P. Lovecraft
· Edited by S. T. Joshi and David E. Schultz

In Lord of a Visible World, the editors have amassed and arranged the letters of this prolific writer into the story of his life. The volume traces Lovecraft’s upbringing in Providence, Rhode Island, his involvement with the pulp magazine Weird Tales, his short-lived marriage, and his later status as the preeminent man of letters in his field.In addition to conveying the candid details of his life, the volume also traces the evolution of his wide-ranging opinions.

Cover of 'The Selected Letters of Yvor Winters'

The Selected Letters of Yvor Winters
By Yvor Winters
· Edited by R. L. Barth

Poet, teacher, and critic, Yvor Winters was a man of letters in more ways than one. This selection of his personal correspondence spans half a century of literary history and a lifetime of intellectual development and growth. As a record of a serious artist and thinker’s grappling with important issues and, sometimes, with his notable friends, the letters offer new and often unexpected insight into the creative mind at work.The

Cover of 'A Frank Waters Reader'

A Frank Waters Reader
A Southwestern Life in Writing
By Frank Waters
· Edited by Thomas J. Lyon

Over the course of his life, Frank Waters amassed a body of work that has few equals in the literature of the American West. Because his was a writing that touched every facet of the Western experience, his voice still echoes throughout that region’s literary world.Swallow Press is especially proud to present this generous sampling of Frank Waters’s writings. A Frank Waters Reader encompasses the full range of his work and draws from both his nonfiction and his many novels.

Winner of the 2000 Hollis Summers Poetry Prize.
Cover of 'Midland'

Midland
Poems
By Kwame Dawes

The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet’s travels and experiences in Africa, the Caribbean, England, and the American South.

Cover of 'Maverick Heart'

Maverick Heart
The Further Adventures of Zane Grey
By Stephen J. May

In 1927, at the peak of his career, Zane Grey bought a three-masted schooner, which he sailed to the Galapagos Islands, later journeying to Tahiti, New Zealand, Australia, and Fiji.As colorful as his characters were, so too was their creator. A consummate explorer, Zane Grey toured the world, was an acclaimed expert on salt- and freshwater fishing, and incorporated the sights and sounds he witnessed into his writings.As

Cover of 'West of the Border'

West of the Border
The Multicultural Literature of the Western American Frontiers
By Noreen Groover Lape

Expanding the scope of American borderland and frontier literary scholarship, West of the Border examines the writings of nineteenth- and turn-of-the-century Native, African, Asian, and Anglo American frontier writers. This book views frontiers as “human spaces” where cultures make contact as it considers multicultural frontier writers who speak from “west of the border.”James

Cover of 'The Selected Poems of Janet Lewis'

The Selected Poems of Janet Lewis
By Janet Lewis
· Edited by R. L. Barth

Since the appearance in print of her early poems over seventy-five years ago, the poetry of Janet Lewis has grown in quiet acclaim and popularity. Although she is better known as a novelist of historical fiction, her first and last writings were poems. With the publication of her selected poems, Swallow Press celebrates the distinguished career of one of its most cherished authors.Critics

Cover of 'Set the Ploughshare Deep'

Set the Ploughshare Deep
A Prairie Memoir
By Timothy Murphy

Fifteen years in the making, Set the Ploughshare Deep is a memoir in prose, verse, and woodcuts. It depicts the consequences of Warren’s advice for a writer who turned his back on cities and the academic world, who bought and sold, farmed and failed like his forebears, all the while distilling what he saw, heard, or felt into his tall tales and short verses. Timothy Murphy has harvested pheasants and ducks as well as wheat and apples.

Cover of 'Transcendental Wordplay'

Transcendental Wordplay
America’s Romantic Punsters and the Search for the Language of Nature
By Michael West

Throughout the first half of the nineteenth century, America was captivated by a muddled notion of “etymology.” New England Transcendentalism was only one outcropping of a nationwide movement in which schoolmasters across small-town America taught students the roots of words in ways that dramatized religious issues and sparked wordplay.Shaped by this ferment, our major romantic authors shared the sensibility that Friedrich Schlegel linked to punning and christened “romantic irony.”

Cover of 'Pages'

Pages
New Poems and Cuttings
By John Matthias

A unique voice among contemporary American poets, John Matthias has compiled here a major new collection, his first volume of poetry since the publication in 1995 of his retrospective collections of shorter and longer poems. Divided into three sections, Pages begins with thirty short poems that range in subject from Ovid and Akhmatova to remembered friends and family.

Cover of 'Value and Vision in American Literature'

Value and Vision in American Literature
Essays in Honor of Ray Lewis White
Edited by Joseph Candido

The widely divergent voices in this collection are united by their common interest in the American literary heritage and by their intention to redefine that heritage by altering our angle of vision or forcing us to re-examine some traditional values.

Cover of 'Robert Lowell’s Shifting Colors'

Robert Lowell’s Shifting Colors
The Poetics of the Public and the Personal
By William Doreski

In the two decades that have passed since Robert Lowell’s death, Robert Lowell’s Shifting Colors is the first critical survey of the poet’s aesthetic efforts to make personal vision and public exhortation cohere and thus combine poetic genres that have been historically discrete.Rather

Cover of 'Mountain Dialogues'

Mountain Dialogues
By Frank Waters
· Foreword by Thomas J. Lyon

“Mysticism is peculiar to the mountainbred,” Frank Waters once told an interviewer for Psychology Today. And in Mountain Dialogues, available for the first time in paperback, the mountainbred Waters proves it true. Ranging over such diverse subjects as silence, spirits, time, change, and the sacred mountains of the world, Waters sounds again and again the radiant, mystic theme of man’s inherent wholeness and his oneness with the cosmos.Writing

Cover of 'Word Play Place'

Word Play Place
Essays on the Poetry of John Matthias
Edited by Robert Archambeau

The poetry of John Matthias has long been admired by other poets for the way it refuses to be categorized. Lyrical and experimental, cosmopolitan and rooted in place, it challenges our received notions of what poetry can be at the end of the twentieth century. This volume introduces the work of this significant American poet to readers previously unfamiliar with it and enriches the reading of those who have long admired it.

Cover of 'Deprived of Unhappiness'

Deprived of Unhappiness
By Sam Pickering

In this, his tenth book of essays, renowned raconteur Sam Pickering wanders from Nova Scotia to Tennessee, from a middle school athletic field to an English department. He tells stories about people named Googoo and Loppie. He examines trees and flowers. He watches a daughter play soccer and a son row. He attends funerals and remembers the past and imagines the future. His is the ordinary world observed closely.But reading Pickering makes life blossom.

Cover of 'Sturdy Oak'

Sturdy Oak
A Composite Novel of American Politics
Edited by Elizabeth Jordan
· Introduction by Ida H. Washington

In the spring of 1916, as the workers for woman suffrage were laying plans for another attack on the bastions of male supremacy, the idea for The Sturdy Oak was born: a satiric look at the gender roles of the time written as a collaborative effort by the leading authors of the day, such as Fannie Hurst, Dorothy Canfield, and Kathleen Norris.

Cover of 'Arrows of Longing'

Arrows of Longing
The Correspondence between Anaïs Nin and Felix Pollak, 1952–1976
By Gregory H. Mason

In the winter of 1951-52, Anaïs Nin was a writer in despair. More than a dozen publishing houses had rejected her new novel, A Spy in the House of Love, and Nin became desperate for literary acceptance. Encouragement came from an unexpected source. Felix Pollak, an Austrian emigré and Rare Book Librarian at Northwestern University, had been entrusted with the task of acquiring some of Nin’s manuscripts for the library.

Cover of 'Haunted by Waters'

Haunted by Waters
Fly Fishing in North American Literature
By Mark Browning

Four essential questions: Why does one fish? How should one properly fish? What relations are created in fishing? And what effects does fishing have on the future? Haunted by Waters is a self-examination by the author as he constructs his own narrative and tries to answer these questions for himself. But it is also a thorough examination of the answers he uncovers in the course of reading what’s been written on the subject.As

Cover of 'The Destructive Element'

The Destructive Element
New and Selected Poems
By Turner Cassity

Turner Cassity is like a highly accomplished traditional composer—Camille Saint-Saëns, say, or Richard Strauss—who does not doubt that the music is the score and the score is the music. That is, poetry is verse and verse is poetry.Given that confidence, he is prepared to take on any subject. In the forty years he has been publishing, Mr. Cassity has never once written about nothing.

Cover of 'America’s Sketchbook'

America’s Sketchbook
The Cultural Life of a Nineteenth-Century Literary Genre
By Kristie Hamilton

America’s Sketchbook recaptures the drama of nineteenth-century American cultural life, placing at its center a genre—the literary sketch—more available than the novel, less governable by the critical establishment, and shot through with the tensions and types of local and national culture-making.

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And Still Birds Sing
New and Collected Poems
By Lucien Stryk

Written over a career that spans five decades, And Still Birds Sing is the masterwork of a major voice in American poetry.Bringing

Cover of 'The Bent Twig'

The Bent Twig
A Novel
By Dorothy Canfield
· Introduction by Ida H. Washington

Unlike other young women of her generation, who were “bred up from childhood to sit behind tea-tables and say the right things to tea-drinkers,” Sylvia Marshall—the “twig” of this novel—was reared to think for herself and to trust her own instincts and experience. This, coupled with her passionate temperament, makes Sylvia a compelling figure as she resists efforts to mold her with every rebellious fiber of her independent nature.Sylvia’s

Cover of 'Resisting Regionalism'

Resisting Regionalism
Gender And Naturalism In American Fiction, 1885-1915
By Donna Campbell

When James Lane Allen defined the “Feminine Principle” and the “Masculine Principle” in American fiction for the Atlantic Monthly in 1897, he in effect described local color fiction and naturalism, two branches of realism often regarded as bearing little relationship to each other.

Cover of 'Wound and the Bow'

Wound and the Bow
Seven Studies in Literature
By Edmund Wilson

The Wound and the Bow collects seven wonderful essays on the delicate theme of the relation between art and suffering by the legendary literary and social critic, Edmund Wilson (1885–1972). This welcome re-issue—one of several for this title—testifies to the value publishers put on it and to a reluctance among them ever to let it stay out of print for very long.The