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Anaïs Nin

Anaïs Nin Book List

Cover of 'Waste of Timelessness and Other Early Stories'

Waste of Timelessness and Other Early Stories
By Anaïs Nin
· Introduction by Allison Pease
· Foreword by Gunther Stuhlmann

Written when Anaïs Nin was in her twenties and living in France, the stories collected in Waste of Timelessness contain many elements familiar to those who know her later work as well as revelatory, early clues to themes developed in those more mature stories and novels. Seeded with details remembered from childhood and from life in Paris, the wistful tales portray artists, writers, strangers who meet in the night, and above all, women and their desires.

Literary Fiction · Women Authors · American Literature · Anaïs Nin

Cover of 'Trapeze'

Trapeze
The Unexpurgated Diary of Anaïs Nin, 1947–1955
By Anaïs Nin
· Edited by Paul Herron
· Introduction by Benjamin Franklin V
· Preface by Paul Herron

Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin’s fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America.

Diaries and Journals · Women Authors · American Literature · Anaïs Nin

Cover of 'Writing an Icon'

Writing an Icon
Celebrity Culture and the Invention of Anaïs Nin
By Anita Jarczok

Before Madonna and her many imitators, there was Anaïs Nin, the diarist, novelist, and provocateur. Jarczok reveals how Nin crafted her personae, which she rewrote and restyled to suit her needs, and how she occupied a singular space in 20th-century culture, as a literary figure, a voice of female sexual liberation, and a celebrity.

Literary Criticism, US · Women’s Studies · Literary Studies · Anaïs Nin

Cover of 'Winter of Artifice'

Winter of Artifice
Three Novelettes
By Anaïs Nin
· Introduction by Laura Frost

Swallow Press’s reissue of Winter of Artifice, with a new introduction by Laura Frost, presents an important opportunity to consider anew the work of Anaïs Nin who laid the groundwork for later writers, but whom critics frequently dismiss as solipsistic or overblown.

Literary Fiction · American Literature · Women Authors · Anaïs Nin

Cover of 'Mirages'

Mirages
The Unexpurgated Diary of Anaïs Nin, 1939–1947
By Anaïs Nin
· Edited by Paul Herron
· Introduction by Kim Krizan
· Preface by Paul Herron

Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love.

Diaries and Journals · Anaïs Nin · Literary Studies

Cover of 'Ladders to Fire'

Ladders to Fire
By Anaïs Nin
· Introduction by Benjamin Franklin V
· Foreword by Gunther Stuhlmann

Anaïs Nin’s Ladders to Fire interweaves the stories of several women, each emotionally inhibited in her own way: through self-doubt, fear, guilt, moral drift, and distrust. The novel follows their inner struggles to overcome these barriers to happiness and wholeness. The author’s own experiences, as recorded in her famous diaries, supplied the raw material for her fiction. It was her intuitive, experimental, and always original style that transformed one into the other.

Women Authors · Literary Fiction · Anaïs Nin

Cover of 'The Novel of the Future'

The Novel of the Future
By Anaïs Nin
· Introduction by Deirdre Bair

In The Novel of the Future, Anaïs Nin explores the act of creation — in film, art, and dance as well as literature — to chart a new direction for the young artist struggling against what she perceived as the sterility, formlessness, and spiritual bankruptcy afflicting much of mid-twentieth-century fiction.

Literary Criticism · American Literature · Anaïs Nin · Creative Nonfiction · Literary Studies

Cover of 'Seduction of the Minotaur'

Seduction of the Minotaur
By Anaïs Nin
· Introduction by Anita Jarczok

“Some voyages have their inception in the blueprint of a dream, some in the urgency of contradicting a dream. Lillian’s recurrent dream of a ship that could not reach the water, that sailed laboriously, pushed by her with great effort, through city streets, had determined her course toward the sea, as if she would give this ship, once and for all, its proper sea bed…. With her first swallow of air she inhaled a drug of forgetfulness well known to adventurers.”

Anaïs Nin · Fiction

Cover of 'Under a Glass Bell'

Under a Glass Bell
By Anaïs Nin
· Introduction by Elizabeth Podnieks

Although Under a Glass Bell is now considered one of Anaïs Nin’s finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler. Shortly thereafter, it caught the attention of literary critic Edmund Wilson, who reviewed the collection in the New Yorker.

Anaïs Nin · American Literature · Fiction

Cover of 'A Spy in the House of Love'

A Spy in the House of Love
By Anaïs Nin
· Introduction by Anita Jarczok

Although Anaïs Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic “distillations” of her secret diaries.

Literary Fiction · American Literature · Women Authors · Anaïs Nin · Literary Studies

Cover of 'Waste of Timelessness and Other Early Stories'

Waste of Timelessness and Other Early Stories
By Anaïs Nin

These stories precede all of Nin's published work to date. In them are many sources of the more mature work that collectors and growing writers can appreciate.

Literary Studies · Fiction · Anaïs Nin · American Literature

Cover of 'Novel of the Future'

Novel of the Future
By Anaïs Nin

In The Novel of the Future, Anaïs Nin explores the act of creation—in literature, film, art, and dance—to arrive at a new synthesis for the young artist struggling against the sterility, formlessness, and spiritual bankruptcy afflicting much of modern fiction.

Literary Studies · Anaïs Nin · American Literature · Literary Criticism

Cover of 'Under a Glass Bell'

Under a Glass Bell
By Anaïs Nin

Under a Glass Bell is one of Nin's finest collections of stories. First published in 1944, it attracted the attention of Edmond Wilson, who reviewed the collection in The New Yorker. It was in these stories that Nin's artistic and emotional vision took shape.

Literary Studies · Fiction · Anaïs Nin · American Literature

Cover of 'A  Spy in the House of Love'

A Spy in the House of Love
By Anaïs Nin

Although Anaïs Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic “distillations” of her secret diaries.

Literary Studies · Fiction · Anaïs Nin · American Literature

Cover of 'D. H. Lawrence'

D. H. Lawrence
An Unprofessional Study
By Anaïs Nin

In 1932, two years after D. H. Lawrence's death, a young woman wrote a book about him and presented it to a Paris publisher. She recorded the event in her diary: “It will not be published and out by tomorrow, which is what a writer would like when the book is hot out of the oven, when it is alive within oneself. He gave it to his assistant to revise.” The woman was Anaïs Nin. Nin examined Lawrence's poetry, novels, essays, and travel writing.

Essays · Literary Studies · Anaïs Nin