African American Studies
Emigration and Immigration
Native American Studies
Poverty and Homelessness
Prostitution and Sex Trade
Race and Ethnicity
Slavery and Slave Trade
Social Science Essays
Social Science, Methodology
Sociology of Religion
Violence in Society
Country music superstar Dolly Parton’s Dollywood is a 150-acre fantasyland that hosts three million people a year. What does it tell us about the modern South, and in turn what does that tell us about America as a whole? Hoppe blends tourism, public history, and personal reflection into an unforgettable interrogation of Southern American identity.
Organized around the life histories, medical struggles, and recollections of Otis Trotter and his thirteen siblings, Keeping Heart is a personal account of an African American family’s journey north during the second Great Migration.
Scholars of southern Appalachia have largely focused their research on men, particularly white men. The essays of Women of the Mountain South debunk the entrenched stereotype of Appalachian women as poor and white, and shine a long-overdue spotlight on women too often neglected in the history of the region.
Every River on Earth: Writing from Appalachian Ohio includes some of the best regional poetry, fiction, and creative nonfiction from forty contemporary authors such as David Baker, Don Bogen, Michelle Burke, Richard Hague, Donald Ray Pollock, and others.
Residents of the Appalachian coalfields share a history and heritage, deep connections to the land, and pride in their own resilience. These same residents are also profoundly divided over the practice of mountaintop mining. Looking beyond the slogans and seemingly irreconcilable differences, however, can reveal deeper causes of conflict.
Standing Our Ground: Women, Environmental Justice, and the Fight to End Mountaintop Removal examines women’s efforts to end mountaintop removal coal mining in West Virginia. Mountaintop removal coal mining, which involves demolishing the tops of hills and mountains to provide access to coal seams, is one of the most significant environmental threats in Appalachia, where it is most commonly practiced.
In a thoughtful, humorous voice born of Appalachian storytelling, Childers brings to life family tales that affected the entire region to make sense of her personal journey and find the joy and clarity that often emerge after the earth shakes terribly beneath us.
Appalachia in the Classroom presents topics and teaching strategies for a twenty-first century dialogue about Appalachia that reflect the diversity found within the region. It offers a critical resource and a model for engaging place in various disciplines and at several different levels in a thoughtful and inspiring way.
Through compelling stories and interviews with people who are fighting for environmental justice, Mountains of Injustice contributes to the ongoing debate over how to equitably distribute the long-term environmental costs and consequences of economic development.
Fresh from receiving a doctorate from Cornell University in 1933, but unable to find work, Charles M. Wiltse joined his parents on the small farm they had recently purchased in southern Ohio. There, the Wiltses scratched out a living selling eggs, corn, and other farm goods at prices that were barely enough to keep the farm intact. In wry and often affecting prose, Wiltse recorded a year in the life of this quintessentially American place during the Great Depression.
Negotiating a Perilous Empowerment blends literacy studies with literary criticism to analyze the central female characters in the works of Harriette Simpson Arnow, Linda Scott DeRosier, Denise Giardina, and Lee Smith.
Stories from the Anne Grimes Collection of American Folk Music is a treasury of American traditional music and Ohio’s folklife heritage. Traveling along the highways and byways of Ohio in the 1950s as a folksinger and collector of traditional music, Anne Grimes encountered people from many different backgrounds who opened up their homes to her to share their most precious family heirlooms—their songs.
“All my work fits in my mouth,” Jo Carson says. “I write performance material no matter what else the pieces get called, and whether they are for my voice or other characters’ voices … they are first to be spoken aloud.” Following an oral tradition that has strong roots in her native Tennessee, the author of Teller Tales invites the reader to participate in events in a way that no conventional history book can.