Art Criticism and Theory
Art | American
Art | American | African American
Art | American | African American
Art | Collections, Catalogs, Exhibitions | Permanent Collections
Art | Film & Video
Art | Individual Artists | General
Folk and Outsider Art
Play is the central, universally significant activity of childhood. Self-directed play in which adults have a supporting rather than directing role is critical to the development and well-being of children. This book is a flexible and accessible guide to encourage art-based play and allow children to explore, plan, and pursue their own interests.
Before he joined the staff of Punch and designed its iconic front cover, illustrator Richard “Dicky” Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof. This volume collects the fifty-three illustrated missives in their entirety for the first time and provides an uncommon peek into the intimate but expansive observations of a precocious social commentator and artist.In
Examines the vibrant engraving industry that helped fuel the growth of the “Queen City” and established its influence as the midwestern center for the print and engraving trade.
The story of Irish linen is a story of the Irish people. Many thousands of men and women made Irish linen a global product and an international brand. It is also a story of innovation and opportunity. Irish linen has served its makers as sail cloth of incredible strength and durability for world exploration and trade; it has functioned as watertight containers for farmers and firemen; it has soothed the brows of royalty and absorbed the sweat of the working class.
Lynda Salter Chenoweth reveals the value of signature quilts as historic and social documents waiting to be read. Her research to discover the story behind an 1853 Ohio Quaker signature quilt uncovers the identity of the quilt’s recipient, her life and community, and a striking feature of the quilt itself—a “hidden” design element.
George Stow was a Victorian man of many parts—poet, historian, ethnographer, artist, cartographer, and prolific writer. A geologist by profession, he became acquainted, through his work in the field, with the extraordinary wealth of rock paintings in the caves and shelters of the South African interior. Enchanted and absorbed by them, Stow set out to create a record of this creative work of the people who had tracked and marked the South African landscape decades and centuries before him.Un
Developing a perspective on Victorian culture as the breeding ground for early theories of the unconscious and the divided psyche, The Demon and the Damozel: Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti offers a new reading of these eminent Victorian siblings’ literature and visual arts.Suzanne
The various lenses—ethical, political, sexual, religious, andso forth—through which we may view art are often instrumental ingiving us an appreciation of the work. In Art in Context: UnderstandingAesthetic Value, philosopher David Fenner presents a straightforward,accessible overview of the arguments about the importance of considering therelevant context in determining the true merit of a work of art.Art
In the 1870s, facing cultural extinction and the death of their language, several San men and women told their stories to two pioneering colonial scholars in Cape Town, Wilhelm Bleek and Lucy Lloyd. The narratives of these San—or Bushmen—were of the land, the rain, the history of the first people, and the origin of the moon and stars.
Quilts of the Ohio Western Reserve includes early quilts brought from Connecticut to the Western Reserve in northeastern Ohio and contemporary quilts, including one by a conservative Amish woman and another inspired by Cleveland’s Rock and Roll Hall of Fame.