shopping_cart

Art History

Art History Book List

Cover of 'Paris on the Potomac'

Paris on the Potomac
The French Influence on the Architecture and Art of Washington, D.C.
Edited by Cynthia R. Field, Isabelle Gournay, and Thomas P. Somma

In 1910 John Merven Carrère, a Paris-trained American architect, wrote, “Learning from Paris made Washington outstanding among American cities.” The five essays in Paris on the Potomac explore aspects of this influence on the artistic and architectural environment of Washington, D.C., which continued long after the well-known contributions of Peter Charles L’Enfant, the transplanted French military officer who designed the city’s plan.

Cover of 'Pictorial Victorians'

Pictorial Victorians
The Inscription of Values in Word and Image
By Julia Thomas

The Victorians were image obsessed. The middle decades of the nineteenth century saw an unprecedented growth in the picture industry. Technological advances enabled the Victorians to adorn with images the pages of their books and the walls of their homes. But this was not a wholly visual culture. Pictorial Victorians focuses on two of the most popular mid-nineteenth-century genres—illustration and narrative painting—that blurred the line between the visual and textual.

Cover of 'The Ceramic Career of M. Louise McLaughlin'

The Ceramic Career of M. Louise McLaughlin
By Anita J. Ellis

A tribute to a woman artist who rose to one of the highest positions in her field.

Cover of 'Montgomery C. Meigs and the Building of the Nation’s Capital'

Montgomery C. Meigs and the Building of the Nation’s Capital
Edited by William C. Dickinson, Donald R. Kennon, and Dean A. Herrin

At the age of thirty-six, in 1852, Lt. Montgomery Cunningham Meigs of the Army Corps of Engineers reported to Washington, D.C., for duty as a special assistant to the chief army engineer, Gen. Joseph G. Totten. It was a fateful assignment, both for the nation’s capital and for the bright, ambitious, and politically connected West Point graduate. Meigs's forty-year tenure in the nation's capital was by any account spectacularly successful.

Cover of 'Art As Image'

Art As Image
Prints and Promotion in Cincinnati, Ohio
Edited by Alice M. Cornell

Illustrates the spectacular technological and artistic developments in the nineteenth-century printing trade from the earliest days of the Old Northwest Territory.

Cover of 'Rookwood and the Industry of Art'

Rookwood and the Industry of Art
Women, Culture, and Commerce, 1880–1913
By Nancy E. Owen

Rookwood Pottery of Cincinnati—the largest, longest-lasting, and arguably most important American Art Pottery—reflected the country's cultural and commercial milieux in the production, marketing, and consumption of its own products.

Cover of 'West Virginia Quilts and Quiltmakers'

West Virginia Quilts and Quiltmakers
Echoes from the Hills
By Fawn Valentine

Tucked away in the Appalachian Mountains of West Virginia, preserved for generations, handmade bed quilts are windows into the past. In 1983, three West Virginia county extension agents discussed the need to locate and document their state's historic quilts. Mary Nell Godbey, Margaret Meador, and Mary Lou Schmidt joined with other concerned women to found the West Virginia Heritage Quilt Search.

Cover of 'Art and the Reformation in Germany'

Art and the Reformation in Germany
By Carl C. Christensen

The Reformation had considerable impact upon the world of art in sixteenth-century Germany, but that impact was not everywhere a uniform one. Some early Protestant leaders reacted to what they viewed as the idolatrous misuse of visual imagery in late medieval Catholicism with a demand for total abolition of paintings and figurative sculpture from the churches.