During his 20 years as a columnist for Việt Nam News, Huu Ngoc both charmed and educated an international readership with his simple but elegant glimpses into Vietnamese culture. These selections from his column are perfectly suited to students of Vietnamese history and culture and travelers seeking an introduction to the country and its people.
Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago. Jennifer A. Fraser counters this tendency by exploring a little-known gong tradition from Sumatra called talempong, long associated with people who identify themselves as Minangkabau.
Half of Indonesia’s massive population still lives on farms, and for these tens of millions of people the revolutionary promise of land reform remains largely unfulfilled. The Basic Agrarian Law, enacted in the wake of the Indonesian revolution, was supposed to provide access to land and equitable returns for peasant farmers. But fifty years later, the law’s objectives of social justice have not been achieved.
In late 1930, on a secluded mountain overlooking the rural paddy fields of British Burma, a peasant leader named Saya San crowned himself King and inaugurated a series of uprisings that would later erupt into one of the largest anti-colonial rebellions in Southeast Asian history.
Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater practitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto.
A staple of postwar academic writing, “nationalism” is a contentious and often unanalyzed abstraction. It is generally treated as something “imagined,” “fashioned,” and “disseminated,” as an idea located in the mind, in printed matter, on maps, in symbols such as flags and anthems, and in collective memory.
China has been an important player in the international economy for two thousand years and has historically exerted enormous influence over the development and nature of political and economic affairs in the regions beyond its borders, especially its neighbors.
This diary, begun after the Japanese attack on Pearl Harbor and covering the invasion of Burma up to June 1942, is a moving account of the dilemmas faced by the well-loved and prolific Burmese author Theippan Maung Wa (a pseudonym of U Sein Tin) and his family. At the time of the Japanese invasion, U Sein Tin was deputy secretary in the Ministry of Home and Defense Affairs.
Indonesian Exports, Peasant Agriculture and the World Economy 1850–2000
Economic Structures in a Southeast Asian State
By Hiroyoshi Kano
The Indonesian economy, like the Indonesian nation state, took shape as part of the colonial transformation of the archipelago by the Dutch in the mid-nineteenth century. The agricultural sector of the economy provided food and labor to the export sector, which was firmly incorporated into the world economy through international trade. This economic pattern survived several shifts and persisted even after Indonesia became independent in the mid-twentieth century.
Burma's Mass Lay Meditation Movement: Buddhism and the Cultural Construction of Power describes a transformation in Buddhist practice in contemporary Burma. This revitalization movement has had real consequences for how the oppressive military junta, in power since the early 1960s, governs the country.
The Turkic Muslims known as the Uighur have long faced social and economic disadvantages in China because of their minority status.
As news accounts report almost daily, the social, political, and economic atmosphere of Southeast Asia makes it one of the most dynamic and quickly developing regions of the world. Southeast Asian Lives: Personal Narratives and Historical Experience presents extraordinary life stories of ordinary people in a rapidly changing Southeast Asia.
Originating in 1891 in the port city of Surabaya, the Komedie Stamboel, or Istanbul-style theater, toured colonial Indonesia, Singapore, and Malaysia by rail and steamship. The company performed musical versions of the Arabian Nights and European fairy tales and operas such as Sleeping Beauty and Aida, as well as Indian and Persian romances, Southeast Asian chronicles, true crime stories, and political allegories.
Southeast Asia summons images of tropical forests and mountains, islands and seas, and a multitude of languages, cultures, and religions. Yet the area has never formed a unified political vision nor has it developed cultural unity. Academics have defined Southeast Asia over the years as what is left over after subtracting Australia, the South Pacific islands, China and India.
Based on ethnographic fieldwork spanning twenty years, Power Plays is the first scholarly book in English on wayang golek, the Sundanese rod-puppet theater of West Java. It is a detailed and lively account of the ways in which performers of this major Asian theatrical form have engaged with political discourses in Indonesia. Wayang golek has shaped, as well, the technological and commercial conditions of art and performance in a modernizing society.