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British Literature

British Literature Book List

Cover of 'Anglophone Poetry in Colonial India, 1780–1913'

Anglophone Poetry in Colonial India, 1780–1913
A Critical Anthology
Edited by Mary Ellis Gibson

Anglophone Poetry in Colonial India, 1780–1913: A Critical Anthology makes accessible for the first time the entire range of poems written in English on the subcontinent from their beginnings in 1780 to the watershed moment in 1913 when Rabindranath Tagore won the Nobel Prize in Literature. Mary Ellis Gibson establishes accurate texts for such well-known poets as Toru Dutt and the early nineteenth-century poet Kasiprasad Ghosh.

Cover of 'Religious Imaginaries'

Religious Imaginaries
The Liturgical and Poetic Practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter
By Karen Dieleman

Religious Imaginaries explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics.

Cover of 'The Complete Works of Robert Browning, Volume XVII'

The Complete Works of Robert Browning, Volume XVII
With Variant Readings and Annotations
By Robert Browning
· Edited by Ashby Bland Crowder and Allan C. Dooley

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

Cover of 'Modernism and the Women’s Popular Romance in Britain, 1885–1925'

Modernism and the Women’s Popular Romance in Britain, 1885–1925
By Martin Hipsky

Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since.

Cover of 'Amy Levy'

Amy Levy
Critical Essays
Edited by Naomi Hetherington and Nadia Valman

Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse.

A Children’s Literature Association Book Award “Honor Book”
Cover of 'X Marks the Spot'

X Marks the Spot
Women Writers Map the Empire for British Children, 1790–1895
By Megan A. Norcia

During the nineteenth century, geography primers shaped the worldviews of Britain’s ruling classes and laid the foundation for an increasingly globalized world. Written by middle-class women who mapped the world that they had neither funds nor freedom to traverse, the primers employed rhetorical tropes such as the Family of Man or discussions of food and customs in order to plot other cultures along an imperial hierarchy.

Cover of 'The Complete Works of Robert Browning, Volume XI'

The Complete Works of Robert Browning, Volume XI
With Variant Readings and Annotations
By Robert Browning
· Edited by Michael Bright

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Volume XI of The Complete Works of Robert Browning contains two strikingly disparate long poems from the 1870s, Fifine at the Fair and Red Cotton Night-Cap Country.

Cover of 'The  Complete Works of Robert Browning, Volume XV'

The Complete Works of Robert Browning, Volume XV
With Variant Readings and Annotations
By Robert Browning
· Edited by Allan C. Dooley, David Ewbank, Jack W. Herring, and Paul D. L. Turner

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. In the 1880s, the aging Browning showed once again the remarkable versatility of his lyric and narrative talents.

Cover of 'The Fin-de-Siècle Poem'

The Fin-de-Siècle Poem
English Literary Culture and the 1890s
Edited by Joseph Bristow

Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism.

Cover of 'Inaugural Wounds'

Inaugural Wounds
The Shaping of Desire in Five Nineteenth-Century English Narratives
By Robert E. Lougy

Desire, Jacques Lacan suggests, is a condition or expression of our wounded nature. But because such desire is also unconscious, it can be expressed only indirectly, for what we consciously desire is hardly ever what we really want. Desire makes itself known, but disguises its presence—appearing, for example, in unconscious but repetitive, and sometimes even self-destructive, patterns of behavior.

Cover of 'Subjects on Display'

Subjects on Display
Psychoanalysis, Social Expectation, and Victorian Femininity
By Beth Newman

Subjects on Display explores a recurrent figure at the heart of many nineteenth-century English novels: the retiring, self-effacing woman who is conspicuous for her inconspicuousness. Beth Newman draws upon both psychoanalytic theory and recent work in social history as she argues that this paradoxical figure, who often triumphs over more dazzling, eye-catching rivals, is a response to the forces that made personal display a vexed issue for Victorian women.

Winner of the Northeast Modern Language Association/Ohio University Press Book Award
Cover of 'Blake, Nationalism, and the Politics of Alienation'

Blake, Nationalism, and the Politics of Alienation
By Julia M. Wright

William Blake’s reputation as a staunch individualist is based in large measure on his repeated attacks on institutions and belief systems that constrain the individual’s imagination. Blake, however, rarely represents isolation positively, suggesting that the individual’s absolute freedom from communal pressures is not the ideal.

Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries
Cover of 'Shakespeare at the Cineplex'

Shakespeare at the Cineplex
The Kenneth Branagh Era
By Samuel Crowl

Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.”

Cover of 'Imperial Bibles, Domestic Bodies'

Imperial Bibles, Domestic Bodies
Women, Sexuality, and Religion in the Victorian Market
By Mary Wilson Carpenter

Of the many literary phenomena that sprang up in eighteenth-century England and later became a staple of Victorian culture, one that has received little attention until now is the “Family Bible with Notes.” Published in serial parts to make it affordable, the Family Bible was designed to enhance the family's status and sense of national and imperial identity.

Cover of 'Vernon Lee'

Vernon Lee
Aesthetics, History, and the Victorian Female Intellectual
By Christa Zorn

The subject of renewed interest among literary and cultural scholars, Vernon Lee wrote more than forty books, in a broad range of genres, including fiction, history, aesthetics, and travel literature. Early on, Lee established her reputation as a public critic whose unconventional viewpoints stood out among those of her contemporaries.