Fiction | Psychological

Children of the Albatross
By Anaïs Nin
· Introduction by Anita Jarczok

This novel, from Anaïs Nin’s Cities of the Interior series, plays out in two parts: “The Sealed Room” and “The Café.” Nin portrays her characters—many of whom represent Nin herself—with intense psychological depth as she boldly depicts eroticism, homosexuality, and androgyny using richly layered metaphors and her signature diaristic style.

House of Incest
By Anaïs Nin
· Introduction by Allison Pease
· Foreword by Gunther Stuhlmann

Originally published in 1936,  House of Incest  is Anaïs Nin’s first work of fiction. Based on Nin’s dreams, the novel is a surrealistic look within the narrator’s subconscious as she attempts to distance herself from a series of all-consuming and often taboo desires.

House of Incest
By Anaïs Nin
· Introduction by Allison Pease
· Foreword by Gunther Stuhlmann

Originally published in 1936,  House of Incest  is Anaïs Nin’s first work of fiction. Based on Nin’s dreams, the novel is a surrealistic look within the narrator’s subconscious as she attempts to distance herself from a series of all-consuming and often taboo desires.

Children of the Albatross
By Anaïs Nin

Children of the Albatross is divided into two sections: “The Sealed Room” focuses on the dancer Djuna and a set of characters, chiefly male, who surround her; “The Café” brings together a cast of characters already familiar to Nin’s readers, but it is their meeting place that is the focal point of the story.